Latest 3ds Max resources
Find ready-to-use assets for interior visualization, furniture layouts, decor scenes, plants, people, and architectural projects.
Seen from the corner, this Ionic capital shows its tightly spiralled scroll volutes joined by a carved cushion, an egg-and-dart echinus, and a small rosette set into the bolster. Modeled in 3ds Max (.max) with V-Ray shading in white plaster, it suits classical portico and colonnade renders, museum and courthouse visualization, or refined interior column detailing.
This Composite capital centres a blank shield-shaped cartouche between its scrolled volutes, framed above and below by acanthus leaves, beading, and a stepped square abacus. Built in 3ds Max (.max) with V-Ray shading in white plaster, it suits classical and Baroque facade renders, town-hall and theatre visualization, or an ornate interior pilaster head ready for a monogram.
A richly carved Composite capital: two rows of deeply undercut acanthus leaves rise into large diagonal corner volutes, with an egg-and-dart band and a central flower under the moulded abacus. Built in 3ds Max (.max) with V-Ray shading in white plaster, it suits grand classical facade renders, opera-house and palace visualization, or the most ornate interior column work.
A half-round base moulding for an engaged column or pilaster, stepping out from a flat wall face through stacked torus and cavetto rings to a plain square block behind. Modeled in 3ds Max (.max) with V-Ray shading in white plaster, it suits classical wall-articulation renders, pilastered facade visualization, or interior panelled-room detailing.
A slender pedestal fountain: a fluted column stem broken by carved knops and leaf collars, topped with a small flower-form dish and rising from a heavily moulded, gadrooned flaring base. Built in 3ds Max (.max) with V-Ray shading in a pale stone finish, this piece suits formal garden and terrace renders, park and cemetery landscape visualization, or a classical exterior accent — also usable as a birdbath.
Wide and shallow, this fountain bowl has a scalloped rim and gadrooned underside, poised on a short pedestal carved with a tight ring of upright lotus buds over a fluted round foot. Modeled in 3ds Max (.max) with V-Ray shading in a pale stone finish, it suits garden and courtyard renders, resort and estate landscape visualization, or a classical exterior water feature.
A wide scalloped fountain bowl with a softly ribbed underside, balanced on a short baluster pedestal wrapped in carved leaf tips over a round moulded foot. Built in 3ds Max (.max) with V-Ray shading in a pale stone finish, this piece suits garden and terrace renders, park and plaza landscape visualization, or a classical exterior water feature — also usable as a birdbath.
A tall two-tier fountain with scalloped, gadrooned basins on a slim carved central stem, rising to a small flower-form dish held by paired figures at the top, all on a fluted pedestal base. Modeled in 3ds Max (.max) with V-Ray shading in a pale stone finish, it suits formal garden and courtyard renders, hotel and estate landscape visualization, or a classical exterior centrepiece.
A restrained capital: a single low crown of smooth, blunt-tipped leaves gathered under a plain square abacus, seated on a simple turned necking. Built in 3ds Max (.max) with V-Ray shading in white plaster, this capital suits stripped-classical and Romanesque column renders, cloister and undercroft visualization, or a quiet interior pilaster head.
This column base is carved as a bell-shaped body clad in a ring of tall pointed water-leaves, their tips flaring out over a rounded torus and a square plinth block. Modeled in 3ds Max (.max) with V-Ray shading in white plaster, it suits ornate classical and Byzantine-revival column renders, church and museum visualization, or a sculptural interior pedestal foot.
The flaring drum of this column base carries a rope-twist collar near the top and a band of carved scrolling foliage lower down, set over a broad torus and a square plinth. Built in 3ds Max (.max) with V-Ray shading in white plaster, it suits ornate classical column renders, hotel-lobby and ballroom visualization, or a decorative pilaster foot.
A full Corinthian capital with two tiers of acanthus foliage, corner helix scrolls, small central fleurons, and a concave-sided abacus, sitting on a fluted necking. Modeled in 3ds Max (.max) with V-Ray shading and shown here as a clay render with its wireframe visible, it suits classical facade and grand-hall renders, temple and rotunda visualization, or ornate interior column detailing.
A plain fluted column shaft with evenly spaced concave flutes and narrow fillets between them, cut flat top and bottom for pairing with a separate capital and base. Built in 3ds Max (.max) with V-Ray shading in white plaster, this shaft suits classical colonnade and portico renders, atrium visualization, or an interior structural column.
A column capital ringed with a single row of wide, flat lobed leaves curling out just below a heavy square abacus, over a turned necking moulding. Modeled in 3ds Max (.max) with V-Ray shading in white plaster, it suits classical and Gothic-revival column renders, hall and arcade visualization, or a pilaster head in period interior work.
Shaped almost like an inverted capital, this base wraps a bell-shaped core in a ring of tall upturned acanthus leaves, seated on a rounded torus and a square plinth. Modeled in 3ds Max (.max) with V-Ray shading in white plaster, it suits ornate classical column renders, palace and theatre-foyer visualization, or a sculptural interior pedestal foot.
Short and sturdy, this column carries a Romanesque capital of scrolled brackets and interlaced foliage under a stepped square abacus, above a fluted shaft and a rope-banded torus base. Built in 3ds Max (.max) with V-Ray shading in white plaster, it suits medieval and revival architecture renders, cloister and crypt visualization, or a heavy interior support column.
A stocky Ionic column with widely spread volutes, a festoon of carved cloth swagged between them, a fluted shaft, and a torus base sitting on a plinth carved with a scrolling frieze on its face. Modeled in 3ds Max (.max) with V-Ray shading and shown as a clay render with the wireframe visible, it suits classical entrance and rotunda renders, civic-building visualization, or ornate interior column work.
Between the tightly coiled volutes of this Ionic capital hangs a carved swag of drapery, with a palmette at the centre; below sits a fluted shaft, a ringed necking, and a torus base on a square plinth. Built in 3ds Max (.max) with V-Ray shading and shown as a clay render with its wireframe visible, it suits classical facade and grand-interior renders, ballroom and lobby visualization, or period column reference.
A simple Attic-style column base built from two stacked torus rings separated by a scotia hollow, with a short plain drum on top ready to receive a shaft. Modeled in 3ds Max (.max) with V-Ray shading and shown here as an untextured clay render, it suits classical column assemblies, colonnade and portico renders, or interior pilaster foot detailing.
Capital and base mirror each other on this column: both are carved as a spreading crown of pointed lotus-like leaves, with a short fluted shaft between them and square plinths above and below. Modeled in 3ds Max (.max) with V-Ray shading in white plaster, it suits Egyptian-revival and eclectic classical renders, museum and hotel-lobby visualization, or a statement interior pedestal column.
The capital here mixes a ring of upright acanthus leaves with small corner scrolls under a plain square abacus, sitting above a deeply fluted shaft that meets a carved torus base and square plinth. Built in 3ds Max (.max) with V-Ray shading in white plaster, this column suits ornate classical and Byzantine-revival renders, church and atrium visualization, or a rich interior column feature.
A complete Ionic column: a fluted shaft rising to a capital of paired scroll volutes over an egg-and-dart echinus, and dropping to a torus base carved with a leaf band on a low square plinth. Modeled in 3ds Max (.max) with V-Ray shading in white plaster, it suits classical portico and entrance-hall renders, temple-front visualization, or formal interior colonnade detailing.
This ornate column base stacks a rope-twist guilloche collar over a flaring drum carved with a running band of stylised leaves, all seated on a broad torus and a square plinth block. Built in 3ds Max (.max) with V-Ray shading in white plaster, it suits ornate classical column renders, palace and lobby visualization, or a decorative pilaster foot.
A tall, narrow column shaft carved with crisp vertical flutes along its full height, finished flat at both ends with no capital or base so a matching head and foot can be added. Modeled in 3ds Max (.max) with V-Ray shading in white plaster, this shaft suits classical arcade and gallery renders, colonnade visualization, or slim interior pier detailing.