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5376 free 3D models for 3ds Max, ready to download for interior and architectural visualization.
5376 models · clear filters
A dark oak beam suspended on chrome stems carries five mirrored cube spotlights, their warm halogen glow bouncing off the polished metal and the timber grain. Built in 3ds Max (.max) with V-Ray shading. A statement fixture for a rustic-modern dining table or kitchen bar.
A short white drum sits flush to the ceiling while its black-rimmed inner ring pivots to throw light at an angle rather than straight down. Modeled in 3ds Max (.max) with V-Ray materials. Handy for retail displays or feature walls where a surface fixture still needs to aim its beam.
Four squat white cylinders drop from a single ceiling plate on fine wires, each tilting head cradling a faceted reflector lamp at a slightly different angle. Created in 3ds Max (.max) with V-Ray. A sculptural cluster for double-height living rooms, stairwells or reception voids.
A slim white bar hangs on two thin cables and holds a pair of cylindrical spot heads that swivel on knuckle joints. The whole thing stays visually quiet against a pale ceiling. Modeled in 3ds Max (.max) with V-Ray shading. Suits kitchen island, dining or studio layouts that need directional fill from a single suspended line.
Three polished chrome back-plates — single, double and triple — each carry rounded gimbal spots that aim independently, their mirrored bodies picking up whatever light is around them. Modeled in 3ds Max (.max) with V-Ray materials. A flexible accent-lighting set for hallway, gallery or bathroom mirror renders.
Four rows of fluorescent lamps glow through a mirror-finish egg-crate louver, the classic 600 mm fitting that lines most open-plan offices. The reflective cells keep the source out of direct view from a desk. Built in 3ds Max (.max) with V-Ray shading and a lit lamp material. Drop it into a plenum ceiling for workplace or retail back-of-house renders.
Set into a suspended tile grid, this rectangular troffer hides its fluorescent tubes behind a stepped aluminium parabolic louver that breaks the glare into a crisp silver sheen. It is the plainest workhorse of the commercial ceiling. Modeled in 3ds Max (.max) as a drop-in ceiling module. Useful for office, classroom and corridor visualizations that need a believable commercial ceiling overhead.
Slim linear bar pendants in silver and black, each able to tilt on its suspension so a run can be set flat or pitched at varied angles across a room. The staggered layout turns a simple bar into a kinetic ceiling composition. Built in 3ds Max (.max) with V-Ray shading. Good for offices, showrooms and lobbies where the lighting layout needs some rhythm in a commercial render.
Slim triangular hoops lit along their inside edge, layered and rotated over a bright room, with a matching field of small triangular emitter tiles across the far ceiling. The angular outline gives a sharper alternative to round and square rings. Modeled in 3ds Max (.max) and shaded with V-Ray. Suited to offices, galleries and showrooms wanting a distinctive geometric ceiling in an architectural scene.
Open square hoops of slim profile, lit around their inner edge, hung flat and overlapping in white and black against a pale room. The empty centres let the ceiling show through while the outline draws a bright square of light. Built in 3ds Max (.max) with V-Ray materials. A graphic choice over reception areas, lounges and open offices in a contemporary render.
Square lit panels that tile into crosses, columns and scattered grids across a showroom ceiling, with slim wall-mounted versions running down one side. The system is built for composing a light pattern rather than placing a fixture. Modeled in 3ds Max (.max) and rendered with V-Ray. Ideal for offices, showrooms and lobbies where the ceiling layout is part of the brief.
Rounded-square slab pendants grouped and stacked at different levels, white bodies with a couple in dark grey, their soft-edged faces glowing evenly. The family scales from a single tile to a linked cluster. Built in 3ds Max (.max) with V-Ray shading. Suited to offices, meeting rooms and retail floors in an architectural visualization.
Circular slab pendants in a range of diameters, mostly white with one charcoal, dropped at staggered heights in a bright showroom. The flat lit face and shallow rim keep each one looking like a floating coin of light. Modeled in 3ds Max (.max) and rendered with V-Ray. Cluster them over a reception desk, lounge or open office in a commercial render.
A floating assortment of contemporary luminaires: round disc panels, square trays, ring lights and slim cylinders, some chrome-rimmed, all suspended on fine cables. A ready-made kit for dressing a whole ceiling scheme. Built in 3ds Max (.max) with V-Ray materials. Useful for offices, retail and residential renders that need a coordinated set of modern fittings.
A sealed industrial batten with a milky polycarbonate tube diffuser and grey end caps clamped down over a gasket. It is the rugged fitting used where dust and damp rule out anything decorative. Modeled in 3ds Max (.max) and shaded with V-Ray. Fits garages, car parks, warehouses and service corridors in a technical visualization.
A shallow open rectangle of white-painted metal mounts to the wall and lights along its lower inside edge, shown three-up as a stacked column with loose wireframe forms behind. The frame casts light while barely reading as a fixture. Built in 3ds Max (.max) and rendered with V-Ray. A tidy accent for corridors, lobbies and stairwells in an architectural scene.
A long aluminium blade that swells from a thin tip to a broad tail, its underside set with rectangular frosted emitters, hung on cables with a matching wall-mounted version alongside. The aerofoil shape gives an otherwise technical fitting some movement. Modeled in 3ds Max (.max) with V-Ray shading. Suited to open offices, studios and meeting spaces in a workplace render.
A spread of matte-black bar pendants in assorted lengths and sections, some square-ended, some slim blades, all hanging on thin drops with their lower faces lit. The set is meant to be mixed and matched across a space. Modeled in 3ds Max (.max) and rendered with V-Ray. Useful over kitchen islands, workstations and long tables in a contemporary interior scene.
A continuous aluminium profile with a frosted lens runs the length of the room, broken by black junction blocks and turned down at one end into a wall return. A measured elevation drawing sits below the render. Built in 3ds Max (.max) with V-Ray shading. Good for continuous-row lighting in offices, retail and studios in an architectural render.
A wide rectangular tray suspended on four cables, its base a patchwork of frosted emitters and dark ventilation grilles with a central control module. It reads as a serious architectural fitting built to light a big floorplate. Modeled in 3ds Max (.max) and shaded with V-Ray. Suited to open offices, conference rooms and reception halls in a commercial visualization.
Two identical white batten fixtures with rounded frosted diffusers and small driver boxes, laid out on a pale surface. Nothing decorative here, just a tidy surface-mount channel of light. Created in 3ds Max (.max) with V-Ray materials. Fits utility spaces, garages, laundry rooms and corridor ceilings or walls in a practical interior scene.
A cylindrical bar pendant with a ribbed glass window running down its centre, offered in a warm champagne and a dark bronze finish over a concrete backdrop. The fluted lens softens the LED line into a textured band of light. Modeled in 3ds Max (.max) and rendered with V-Ray. A refined option above a dining table, bar counter or kitchen island in an interior render.
A kit of slim black linear segments that snap into rectangles, zigzags and free runs across both ceiling and wall, shown installed in a bare white room with a figure for scale. The system is about drawing lines of light rather than hanging a single fixture. Built in 3ds Max (.max) with V-Ray shading. Ideal for offices, showrooms and lobbies where a custom ceiling-and-wall light graphic is part of the design.
A long dark-grey box pendant hangs on two thin cables, its underside filled with a fine louvre grille that tames the glare. The proportions are drawn straight from open-plan office ceilings. Modeled in 3ds Max (.max) and shaded with V-Ray. Line several up over desks or a boardroom table in a workplace render.