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5376 free 3D models for 3ds Max, ready to download for interior and architectural visualization.
5376 models · clear filters
Rectangular recessed frames in white and black, built in one-, two- and three-lamp widths, each COB reflector held in a cardan yoke that pans and tilts. Modeled in 3ds Max (.max) with V-Ray shading. A directional recessed system for gallery walls, showrooms and open-plan retail ceilings.
Recessed black cardan frames in single, double and triple modules, the AR111 reflectors gimbal-mounted so each can aim on two axes. Built in 3ds Max (.max) with V-Ray. A professional recessed system for museums, showrooms and gallery ceilings.
Crisp white cubes in one-, two- and three-lamp widths, each opening housing a mirrored AR111 reflector on a tilting yoke. Modeled in 3ds Max (.max) with V-Ray shading. Surface-mounted spots for concrete or timber ceilings in shops and studios.
Three faceted AR111 lamps sit angled inside a flush black frame, reading as a dark seam in the plaster until the light is switched on. Created in 3ds Max (.max) with V-Ray. Directional recessed lighting for feature walls and display zones.
A trimless black slot cut into the ceiling holds three chrome AR111 reflectors, each on a gimbal that tilts and spins within the channel. Modeled in 3ds Max (.max) with V-Ray materials. An architectural accent line for galleries, lobbies and high-end retail.
A white collar wraps a black conical baffle, the warm LED disc set deep inside so the source stays hidden from direct view. Built in 3ds Max (.max) with V-Ray. Clean surface downlights to line up over a kitchen, corridor or retail floor.
Two tall cylinders — one white, one dusky pink — clamp to the ceiling with a gimbal lamp recessed at the base of each tube. Modeled in 3ds Max (.max) with V-Ray shading. Surface downlights for bedrooms, hallways or any ceiling that cannot be cut.
Four white cylinders hang at staggered heights from one canopy, each lamp held in a gimbal ring so it can pan and tilt freely. Created in 3ds Max (.max) with V-Ray. A directional cluster for lofts, galleries or stairwell voids.
A slim triangular wedge in grey and green tucks into the front corner of a wall cabinet, with a single round halogen puck set into the underside. Modeled in 3ds Max (.max) with V-Ray materials. A task light for kitchen wall units, display shelving or a workshop bench.
Shallow round housings with a white outer ring and a deep black cone, each glowing with a warm LED source tucked at the centre. Built in 3ds Max (.max) with V-Ray. Two housings ready to array across a hallway, kitchen or bathroom ceiling.
A plain white cylinder mounts straight to the ceiling, its recessed centre spot throwing a soft warm cone into the room below. Modeled in 3ds Max (.max) with V-Ray shading. A no-fuss surface downlight for concrete ceilings or spaces with no plenum void.
A frosted centre disc is framed by a black baffle and a clean white outer ring, the fitting sitting almost flat in the ceiling. Modeled in 3ds Max (.max) with V-Ray materials. General recessed lighting for offices, kitchens and retail interiors.
A narrow white rail runs flat against the ceiling and carries three tiny cylindrical LED spots that slide and swivel along its length. Built in 3ds Max (.max) with V-Ray. A lightweight budget track for hallway, kitchen or small-shop lighting.
Two white tubes stack at a right angle on a ceiling canopy, the lower one spinning a full turn and folding down to focus its lens. Modeled in 3ds Max (.max) with V-Ray shading. A precise adjustable spot for art walls, kitchen counters or display niches.
One head leans out of the ceiling to show its bright faceted lamp while the others sit almost flush, the trimless white rings blending into the plaster. Created in 3ds Max (.max) with V-Ray. A minimal adjustable downlight for gallery, retail or living-space ceilings.
Two black heads on a slim rectangular plate each grip a chunky faceted glass lens, with thin pull cords dangling for the switch. Modeled in 3ds Max (.max) with V-Ray materials. A slightly retro accent light for a hallway or bedside wall.
The inner white barrel swings well past flush, letting the fitting sit back in the ceiling or lean right out to aim its beam sideways. Created in 3ds Max (.max) with V-Ray shading. A discreet adjustable downlight for living room, retail or hotel ceilings.
Shown as both a flush recessed can and a stubby surface cylinder, the black trim tilts to wash a warm scallop of light down a nearby wall. Modeled in 3ds Max (.max) with V-Ray. Good for corridor, gallery or feature-wall lighting studies.
A long white plate mounts flush to the ceiling and feeds four spots — some plain cylinders, one a perforated LED disc — that swivel to any angle. Modeled in 3ds Max (.max) with V-Ray materials. A tidy multi-point solution for kitchen, hallway or home-office ceilings.
Rounded bell-shaped shades in matte grey hang from a slim ceiling rail, each exposing a deep faceted reflector and lamp inside. Built in 3ds Max (.max) with V-Ray. Suited to showroom, cafe or open-plan office lighting plans.
Three cylindrical PAR30 heads clamp onto a recessed black track, each on a short arm that rotates and tilts through a wide arc. Modeled in 3ds Max (.max) with V-Ray shading. A standard retail and gallery track system for accenting merchandise or artwork.
A compact black cylinder on a rotating knuckle, shown both surface-mounted overhead and turned out from the wall to graze a warm pool of light downward. Modeled in 3ds Max (.max) with V-Ray. Works as a reading light, stair marker or picture wash in interior renders.
Matte black barrel, knurled focus knob and a U-shaped yoke bracket give this fixture the look of a proper stage or gallery projector. Modeled in 3ds Max (.max) with V-Ray materials. Drop it onto a track for exhibition, retail or event-lighting scenes.
The smooth ellipsoid shell reads almost like a river pebble, with one recessed reflector eye set off-centre in the plaster-white body. Modeled in 3ds Max (.max) with V-Ray. A soft organic alternative to the boxy spot for bedroom or lounge ceilings.