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217 free wall light 3D models for 3ds Max, ready to drop into your visualization scenes.
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A cast rosette backplate and a curled scroll arm in antique brass support a trough shade edged with a beaded border and centred with a foliate medallion, a heavily traditional picture light. Created in 3ds Max (.max) and rendered with V-Ray using an antique-brass metal shader with cast relief detail. Suited to a portrait, mirror or tapestry wall in a classic library, hall or dining room render.
A slim satin-nickel tube is held below a thin wire arch that rises from a small rectangular backplate fitted with a rocker switch, stripping the picture light back to its bare essentials. Modeled in 3ds Max (.max) with V-Ray shading and a satin-nickel shader. Built for a minimalist hallway, gallery wall or living room where the fitting should almost disappear in a render.
A brushed-steel block backplate sends up two thin swing arms to a slim tubular bar shade with capped rounded ends, the whole fitting kept plain and low-profile. Created in 3ds Max (.max) and rendered with V-Ray using a brushed-steel shader. Suited to lighting artwork, a pinboard or a shelf in a contemporary home-office, hallway or living room render.
A small ribbed square backplate in polished nickel carries a single ball-jointed arm and a mirror-finish cylinder shade with softly rounded ends, a compact traditional over-picture fitting. Modeled in 3ds Max (.max) with V-Ray shading and a polished-nickel metal shader. Built to light a small framed painting, print or mirror in a classic hallway, study or bedroom render.
About 51 cm across, this fitting is just a thin polished-chrome tube held a little off the wall on two angled struts from a small rectangular plate, throwing a narrow line of light onto the picture below. Created in 3ds Max (.max) and rendered with V-Ray using a polished-chrome shader. Suited to lighting framed art or a mirror in a minimalist hallway, living room or gallery render.
A pair of compact chrome fittings: a short bar with two recessed LED spots on a folded chrome bracket, and a slim linear LED bar that glows warm along its lower face from an angular chrome mount. Modeled in 3ds Max (.max) with V-Ray shading, polished-chrome and emissive-diffuser materials. Built for a bathroom cabinet, dressing mirror or display shelf in a modern render.
Two tall polished-chrome arches spring from a flat rectangular bar to a reeded chrome cylinder shade with a frosted glass window at its centre casting a soft even glow. Created in 3ds Max (.max) and rendered with V-Ray using polished-chrome and frosted-glass shaders. Suited to lighting a large mirror, canvas or headboard wall in a contemporary bedroom or hall render.
Everything here is squared off: a rectangular block backplate, a straight arm on exposed slotted-screw pivots and a wedge-profile brushed-nickel shade, shown open and in close detail. Modeled in 3ds Max (.max) with V-Ray shading and a brushed-nickel metal shader. Built for a contemporary gallery wall, hallway or office where a hard-edged picture light suits the scheme in a render.
Two brass fittings on one backplate style: a rounded-end cylinder picture light on twin bracket arms, and a smaller stepped bracket carrying a pivoting half-round spot shade with a thumbscrew. Created in 3ds Max (.max) and rendered with V-Ray using a warm polished-brass shader. Suited to lighting artwork, a bookcase or an alcove in a classic library, hallway or gallery render.
A moulded stepped backplate in brushed nickel carries two short knobbed arms holding an angular trough shade, its faceted underside open to wash light down over a picture. Modeled in 3ds Max (.max) with V-Ray shading and a brushed-nickel metal shader. Built for a traditional study, stair wall or dining room where a framed painting needs even lighting in a render.
Shown from several angles, this fitting pairs a plain rectangular backplate with a single hinged arm and a brushed-nickel cylinder shade housing a slim LED strip along its underside. Created in 3ds Max (.max) and rendered with V-Ray using a brushed-nickel shader and an emissive strip. Suited to lighting framed art, a mirror or a shelf in a contemporary interior render.
A long braided chrome gooseneck arcs out of a small square wall block to a stepped cylinder spot head, letting the beam be aimed at a book, headboard or artwork. Modeled in 3ds Max (.max) with V-Ray shading and polished-chrome materials. Built for a bedside wall, reading nook or home-office render where a directional accent light is wanted.
Scaled up for a large canvas, a long antique-bronze cylinder shade with a central foliate casting hangs on two S-curved arms from a plain rectangular wall bar, finished with acorn end caps. Created in 3ds Max (.max) and rendered with V-Ray using an antique-bronze metal shader. Suited to lighting a wide painting or mural in a classic hall, gallery or hotel corridor render.
A round backplate cast with a raised bird-and-foliage medallion carries an antique-bronze gooseneck and a plain cylinder shade centred with a small floral relief and turned acorn finials. Modeled in 3ds Max (.max) with V-Ray shading, antique-bronze metal and moulded-relief materials. Built as a two-lamp over-picture light for a classic hallway, study or panelled dining room render.
The wider two-lamp version of the medallion picture light: the same round moulded-gypsum backplate and antique-bronze gooseneck, now with a longer cylinder shade carrying a central floral casting. Created in 3ds Max (.max) and rendered with V-Ray using antique-bronze metal and moulded-plaster shaders. Suited to lighting a large canvas or panelled wall in a classic hall or library render.
A round backplate cast as a patterned gypsum medallion carries an antique-bronze gooseneck and a slim cylinder shade with a small cast floral relief and turned acorn end finials. Modeled in 3ds Max (.max) with V-Ray shading, antique-bronze metal and moulded-plaster materials. Built as a single-lamp over-picture light for a classic hallway, study or bedroom render.
Barely more than a flat white bar on the wall, this linear fitting angles a soft warm strip of light out of its lower front edge, with no visible fixings and a clean matte finish. Created in 3ds Max (.max) and rendered with V-Ray using a matte-white painted shader and an emissive diffuser. Suited to a bathroom mirror, hallway or bedside wall in a minimalist render.
A brushed-steel cone shade with a ring of pierced slots pivots on a knurled joint off a domed round backplate, its top cable clamp and thumbscrew left visible in a workshop-lamp style. Modeled in 3ds Max (.max) with V-Ray shading and a brushed stainless-steel shader. Built for an industrial kitchen, loft or gallery wall render where an adjustable accent light is needed.
Three colourways of the same fitting: a round wall disc, a bendable fabric-sleeved gooseneck and a tapered bottle-shaped shade, shown in white, mustard and black with the flex cord left exposed. Created in 3ds Max (.max) and rendered with V-Ray using painted-metal and textile-cord shaders. Suited to a bedside wall, home-office nook or reading corner render.
A rectangular chrome backplate and a short brass gooseneck support a reeded antique-brass cylinder shade capped with turned end finials, styled as a traditional over-picture light. Modeled in 3ds Max (.max) with V-Ray shading, antique-brass and polished-chrome materials. Built to light artwork or a bookcase in a study, library or classic hallway render.
A plain round backplate and a single S-curved arm carry a satin-nickel half-cylinder shade that throws light downward, kept simple with no ornament anywhere on the fitting. Created in 3ds Max (.max) and rendered with V-Ray using a brushed satin-nickel shader. Suited to lighting a framed painting, mirror or headboard wall in a contemporary interior render.
Two gold-and-black torch arms rise from a wall bracket to cream drum shades printed with a black diamond lattice, each arm trailing fine crystal chain swags and a faceted drop. Modeled in 3ds Max (.max) with V-Ray shading, gilt-and-lacquer metal, printed-fabric and cut-crystal materials. Built for an entry hall, stair wall or bedroom render.
Six curved black arms sweep from a shaped black glass column to small tapered black shades, dressed with black faceted balls and pointed drops. The set includes a matching two-arm wall sconce in the same finish. Built in 3ds Max (.max) with V-Ray shading, black glass, blackened-metal and fabric materials. A fit for a moody bedroom, drawing room or boutique-hotel render.
A wide black chandelier spreads around twelve scrolled arms over two tiers, each carrying a small tapered black fabric shade, with smoked crystal drops hung between the arms and below the hub. A matching two-arm wall sconce comes with it. Modeled in 3ds Max (.max) and rendered with V-Ray using blackened-metal, fabric and smoked-glass shaders. Built for a dark dining room, sitting room or hotel suite render.