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5255 free v-ray 3D models for 3ds Max, ready to drop into your visualization scenes.
5255 models · clear filters
A compact square-edged drum shade in soft white fabric hangs low from a pair of taut rods and a wavy support cable, capped top and bottom in matte black. Modeled in 3ds Max (.max) and rendered with V-Ray, this single pendant suits a dining nook or bedside scene in an interior visualization needing a clean geometric hanging light.
A tall frosted-glass cylinder is banded through the middle by a polished chrome ring, mounting flush to the wall to diffuse light evenly along its length. Built in 3ds Max (.max) with V-Ray shading on the frosted glass, it's a clean choice for a corridor or exterior facade render needing soft, even wall-wash lighting.
A slim brushed-metal pole sweeps into a gentle overhead arc, ending in a dark fabric drum shade that hangs above a round weighted floor base. Modeled in 3ds Max (.max) with V-Ray shading, this arc floor lamp works well positioned beside a sofa or reading chair in a living room interior visualization.
A glossy red glass sphere splits open to reveal a chrome-ringed spotlight lamp, mounted on a short swiveling arm against a circular chrome wall plate. Built in 3ds Max (.max) with V-Ray shading on the glass and chrome, this playful accent light suits a living room or bar render wanting a bold splash of colour alongside directional light.
Clusters of clear glass bubble orbs hang in a dense rectangular formation from a slim chrome ceiling bar, catching light across dozens of curved surfaces. Modeled in 3ds Max (.max) and rendered with V-Ray, the linear chandelier suits a long dining table or bar-counter render calling for a glamorous, elongated hanging fixture.
A wide cone-shaped shade in ribbed translucent glass hangs from twin cables and a chrome canopy, its open underside exposing a warm interior glow. Built in 3ds Max (.max) with V-Ray shading on the fluted glass, this pendant is well suited to a dining table or kitchen island scene needing focused downward light with a soft glass texture.
Dozens of curved white petal panels wrap into a loose spherical cluster, suspended by a fan of thin cables from a round chrome ceiling canopy. Modeled in 3ds Max (.max) and rendered with V-Ray, the sculptural pendant makes a striking centerpiece for a dining room or entryway visualization needing a statement hanging fixture.
A slender tapered cone base in soft matte white narrows toward a chrome collar, supporting a wide fabric drum shade lit softly from within. Built in 3ds Max (.max) with V-Ray shading on the fabric and metal trim, this lamp suits a bedside or console-table placement in an interior render calling for warm ambient light.
A compact spotlight head clips onto a taut steel suspension cable system, its rectangular chrome housing aiming a single downlight lamp from overhead. Modeled in 3ds Max (.max) with V-Ray shading, the fixture is built for a cable-lighting scene — an industrial loft or gallery ceiling render where fixtures need to appear clipped along a wire run.
A round recessed downlight in matte white houses a tiltable lamp module on a hinged bracket, letting the beam angle be aimed off-axis from directly overhead. Built in 3ds Max (.max) with V-Ray shading on the lamp reflector, it's a straightforward addition to a ceiling plan in any interior render needing adjustable general lighting.
Three brushed-metal dome heads pivot along an elongated oval backplate, each lamp angled independently so the row can fan light across a wider span of ceiling. Modeled in 3ds Max (.max) and shaded with V-Ray, the fixture is well suited to a corridor or open-plan ceiling scene that needs a longer run of adjustable spotlighting.
Two brushed-metal dome spotlight heads pivot from a single elongated oval backplate, angled slightly apart so each lamp throws light toward a different point. Built in 3ds Max (.max) with V-Ray shading, this twin-head fixture suits a hallway or bedroom ceiling render calling for compact, adjustable dual-beam lighting.
A rounded dome-shaped spotlight head in brushed nickel pivots on a short ball-jointed arm from a circular wall plate, its exposed reflector angled toward the viewer. Modeled in 3ds Max (.max) with V-Ray shading on the metal finish, it works as an adjustable accent light in a living room or corridor interior visualization.
Three cylindrical spotlight heads, each ringed in black trim, mount along a slim brushed-metal bar on individual swivel joints so every lamp can be aimed on its own. Built in 3ds Max (.max) and rendered in V-Ray, the fixture fits a retail or gallery ceiling scene where a compact multi-spot track needs to highlight several points at once.
Three brushed-metal cylinders branch from a single wall stem, one capped and two ending in exposed lamp reflectors angled in opposite directions for a spread of light. Modeled in 3ds Max (.max) with V-Ray shading, this multi-head spotlight suits an entryway or gallery wall render that calls for wide, adjustable accent lighting from one fixture.
A satin-metal cylinder cut with horizontal ribbing bands mounts flush to a round wall plate, its lamp aimed downward through an exposed reflector lens. Built in 3ds Max (.max) with V-Ray shading, the fixture reads well in a stairwell or exterior wall render where a compact uplight or downlight sconce is needed.
A pair of brushed-metal cylinders, one a plain closed tube and the other an open spotlight head, joined on a short swivel arm so the beam can be angled independently of the housing. Modeled in 3ds Max (.max) with V-Ray shading on the satin metal finish, it's a clean fit for an exterior facade or corridor render that needs an adjustable directional wall light.
Six square spotlight heads hang in a staggered row from a slim rectangular canopy, each aimed independently on its own cable and yoke for a linear multi-spot pendant. Built in 3ds Max (.max) and rendered with V-Ray, the fixture works well over a kitchen island or dining table in an interior visualization calling for directional, adjustable overhead light.
A recessed spotlight built around a faceted crystal lens set at an angle inside a polished chrome square backplate, the cut glass catching light like a small prism. Modeled in 3ds Max (.max) with V-Ray shading on the chrome and crystal surfaces, it suits a hallway or feature-ceiling render where a decorative downlight needs to read as a highlight rather than a plain fixture.
Five chrome-and-amber glass spotlight heads hang at staggered lengths from a single square ceiling canopy, forming a directional cluster chandelier. Crafted in 3ds Max (.max) with V-Ray shading, suited to a dining room or kitchen island lighting visualization.
A single chrome spotlight head with an amber glass shade drops from a long slender cable and ceiling canopy, angled for focused downward light. Modeled in 3ds Max (.max) with V-Ray shading, ready for a dining table or reading nook lighting render.
Three chrome-and-amber glass spotlight heads swivel independently along a slim polished ceiling bar, each aimed to direct light where it's needed. Built in 3ds Max (.max) with V-Ray shading, suited to a kitchen island or hallway lighting visualization.
A chrome swivel ceiling spotlight houses a warm amber glass shade around its adjustable lamp head, mounted on a round polished base. Modeled in 3ds Max (.max) with V-Ray shading, ready for a hallway or kitchen accent lighting render.
A gilded silver-and-gold branch sculpture twists upward from a slim black pedestal, its bare tangled limbs catching light like a sculpted decorative tree. Crafted in 3ds Max (.max) with V-Ray shading, suited to a lobby or gallery accent visualization.