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5255 free v-ray 3D models for 3ds Max, ready to drop into your visualization scenes.
5255 models · clear filters
A clean white linear pendant, a single extruded bar with a luminous underside, hung level on two thin cables. The profile is deep enough to hide the driver and shield the light source. Modeled in 3ds Max (.max) with V-Ray shading. A workhorse fitting for open-plan offices, meeting rooms and desk-lighting layouts.
A low-profile rectangular canopy luminaire with two angled LED panels either side of a central housing and bolt-on mounting brackets. Built for forecourts, warehouse aisles and covered loading bays. Created in 3ds Max (.max) and rendered with V-Ray. Suits an industrial exterior render, a fuel-station visualization or a logistics facility lighting plan.
A wide, flat LED street-light head in grey aluminium, angled off a tapered mounting arm on a brushed-steel pole. The dense LED panel faces down for road and pathway lighting. Modeled in 3ds Max (.max) with V-Ray materials. Drop it into a masterplan render, a streetscape or a car-park exterior lighting study.
A round recessed downlight with a white outer flange and a tilting blue inner gimbal that holds a faceted COB LED reflector. The tilt ring lets the beam be aimed well off-axis. Built in 3ds Max (.max) and shaded with V-Ray. A practical component for ceiling plans in retail, gallery or residential lighting visualizations.
A grey wall fixture shaped like a loosely folded sheet of metal, with a circular frosted lens set into one face and a row of small LEDs along the lower fold that grazes the wall. Modeled in 3ds Max (.max) with V-Ray materials. Use it in a modern hallway, a lounge feature wall or an architectural lighting render.
A slim conical pendant in dark cast concrete, its lower end pinched and folded like softened clay so light leaks through the irregular gaps. A brushed-metal cap connects it to the drop cable. Created in 3ds Max (.max) and rendered with V-Ray for the pitted stone surface. Fits an industrial loft, a gallery corridor or a raw-material interior study.
A tall pendant with a U-shaped neck that folds back on itself before flaring into a trumpet mouth, finished in glossy white with a bright orange interior that warms the downward light. Modeled in 3ds Max (.max) with V-Ray shading. A sculptural pick for a stairwell drop, a reception desk or a hospitality render that wants an unusual silhouette.
The bell pendant again in deep gloss black, this time with a lime-green lacquered lip and handle accent that catches the eye where the shade opens. Its rounded silhouette stays simple and compact. Built in 3ds Max (.max) and shaded with V-Ray. Suits a modern kitchen, a co-working break area or a colour-blocked interior render.
A glossy white bell shade lined in hot magenta, the pink edge visible around the diffuser and through the looped cut-out handle. It hangs low on a thin suspension cable against a plain backdrop. Modeled in 3ds Max (.max) with V-Ray materials. Good for a salon, a children's play space or a retail vignette where a single coloured pendant sets the tone.
The same bell pendant in mirror-black with a bright blue lacquered interior and matching trim, the colour flashing through the handle cut-out at the top. The glossy skin picks up sharp studio reflections. Created in 3ds Max (.max) and rendered with V-Ray. A playful choice for a boutique changing area, a diner or a moodboard needing a pop of colour overhead.
A high-gloss white bell shade with a sculpted teardrop cut-out at the crown that doubles as a carry handle, hung on a slim cable. A dark trim ring circles the open bottom where the diffuser glows warm. Modeled in 3ds Max (.max) with V-Ray shading for the lacquered finish. Works over a kitchen bar, a cafe counter or a hallway as a single statement pendant.
The same carbon-weave cylinder turned on its side as a wall fixture, brushed-steel band facing out and a warm LED grazing the surface below. Short, chunky proportions read as deliberately industrial. Built in 3ds Max (.max) and shaded with V-Ray. Drop it into an entryway, a stairwell wall or an exterior facade render needing a compact up-and-down wall light.
A stubby cylindrical body wrapped in a diagonal carbon-fibre weave, split top to bottom by a single brushed-steel stripe. A recessed LED sits flush in the open base and throws a tight beam straight down. Modeled in 3ds Max (.max) with V-Ray materials for the woven texture and metal trim. Suits a loft kitchen island or a retail ceiling-mounted accent-lighting study.
A tall cylindrical drum hangs on three cables, its shell split between a ribbed black finish and a brushed metal strip, lighting downward from its base. Built in 3ds Max (.max) with V-Ray shading for contrasting ribbed and metallic surfaces. Suited for a dining room pendant over an island or table.
A round black disc pendant scatters small diamond-shaped LED tiles across its face in a confetti-like pattern, hung level on five thin cables. Modeled in 3ds Max (.max) with V-Ray shading for a glossy black disc and scattered light points. Fits a living room statement-lighting visualization.
A flat black tray pendant hangs on four cables, its underside set with a scattered grid of square LED panels for a striking geometric glow. Built in 3ds Max (.max) with V-Ray shading for a glossy black tray and evenly lit square panels. Suited for a dining room statement-pendant render.
Two glossy black domes merge into a single oblong pendant, each shade opening onto a wide round diffuser that casts a soft pool of light below. Modeled in 3ds Max (.max) with V-Ray shading for glassy dome highlights and an evenly lit diffuser. Fits a dining room pendant over a long table.
The same four-head module arranges into a compact two-by-two square grid instead of a line, fitting a smaller recessed ceiling opening. Built in 3ds Max (.max) with V-Ray shading for consistent metal-ring detailing across all four lenses. Suited for a living room feature-ceiling render.
Four round spot heads run in a single line within an elongated black trim, silver edging setting off the row for a long modular downlight bar. Modeled in 3ds Max (.max) with V-Ray shading for even highlights along the extended trim. Fits a living room ceiling wanting a linear light run.
Three round spot heads line up diagonally in a black trimless housing, their exposed baffles giving a sharper, more architectural downlight look. Built in 3ds Max (.max) with V-Ray shading for deep matte black and bright LED contrast. Suited for a living room ceiling accent-lighting render.
The same modular trim extends to two round spot heads set diagonally within its black rectangular frame, each edged in polished silver. Modeled in 3ds Max (.max) with V-Ray shading for a clean modular downlight look. Fits a bedroom or hallway ceiling wanting dual-point lighting.
A single round spot head sits inside a compact black square trim, its edge finished in a thin strip of polished silver for a modular downlight look. Built in 3ds Max (.max) with V-Ray shading for crisp metal-and-matte contrast. Suited for a bedroom ceiling wanting a single focused reading light.
At its largest, the curved pendant plank holds four adjustable spot heads clustered together, suited to a long counter or feature wall needing broad coverage. Modeled in 3ds Max (.max) with V-Ray shading for even reflections across the full curved span. Fits a retail or showroom pendant-lighting scene.
The curved pendant plank scales up to three adjustable spot heads in a row, spreading a wider band of directional light beneath its black shell. Built in 3ds Max (.max) with V-Ray shading for consistent gloss across the extended curve. Fits a retail floor or gallery accent-lighting render.