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5255 free v-ray 3D models for 3ds Max, ready to drop into your visualization scenes.
5255 models · clear filters
Thin black rods cross at random angles from a single ceiling point, each tipped with a small bright bulb so the fixture reads as a burst of light lines. Built in 3ds Max (.max) with V-Ray shading, the graphic sputnik-style piece suits a dining room, a stairwell or a gallery wall that wants a loose, drawn-in-space look.
Cream pleated shades in cylinder, oval and tapered-urn shapes glow softly from within, the folded ribs casting a gentle striped light. Created in 3ds Max (.max) with V-Ray materials, the grouped lanterns bring a warm handcrafted feel to a dining corner, a reading area or a bedroom.
Four long black cones taper to a lit point, dropped at staggered heights from a slim rectangular canopy for a narrow vertical rain of light. Modeled in 3ds Max (.max) with V-Ray shading, the linear bar mounts neatly over a kitchen island, a console or a stair edge where a compact footprint matters.
Curvy blown-glass drops in smoke, amber and violet hang tightly bunched from a single round canopy, each shade pinched and rippled so the light pools unevenly. Built in 3ds Max (.max) with V-Ray materials, the compact cluster suits a bedside grouping, an entry hall or a coffee-table view where a jewel-like knot of colour reads well.
Round canopies gather several tinted glass drops at different heights, mixing teardrop, pear and cone shades in smoke, amber, olive and violet for a bubbling composition. Modeled in 3ds Max (.max) with V-Ray shading, the clusters make a warm focal point over a round dining table or in a stairwell that can take a three-dimensional arrangement.
A run of softly conical glass shades with flared curved rims, tinted smoke, amber, clear, olive and violet, each holding a slim vertical lamp. Created in 3ds Max (.max) with V-Ray materials, the flexible set drops over a kitchen island or a communal table and mixes freely with the matching pear and teardrop shapes.
Rounded pear-shaped glass shades hang in a neat line, their smoke, amber, grey, olive and purple tints deepening toward the base around a warm central lamp. Built in 3ds Max (.max) with V-Ray shading, the coordinated colours suit a dining bench, a hotel bar or a stair landing where repetition keeps the look calm.
Five asymmetric glass teardrops lean off-axis on chrome canopies, tinted smoke, amber, grey, olive and violet with a slim frosted lamp glowing inside each. Modeled in 3ds Max (.max) with V-Ray materials, the coloured set is easy to mix along a kitchen island or a reception desk where a soft band of colour is wanted.
An enlarged decorative bulb hangs on a bare wire, its lower half silvered like a chrome-dipped mirror while the top reads as clear glass and a screw base. Created in 3ds Max (.max) with V-Ray shading, the single oversized shape is a witty accent for a retail fitting room, a dressing table or an entry hall.
A line of bare globe bulbs hangs from chunky silicone lamp holders in red, black, white, yellow, teal and brass against a raw concrete wall. Modeled in 3ds Max (.max) with V-Ray materials, the playful budget-style pendants are made to be grouped over a bar, a cafe counter or a kids' playroom.
A single elongated teardrop shade in high-gloss black narrows to a slim stem, its lacquered surface catching long window reflections. Built in 3ds Max (.max) with V-Ray shading, the quiet sculptural drop suits a bedside, a reading nook or a row over a kitchen island where a subtle silhouette is wanted.
Slim arms radiate from a central hub, each holding an adjustable black cylinder spot with a warm brass-lined mouth so the light can be aimed in every direction. Created in 3ds Max (.max) with V-Ray materials, the piece brings a graphic, directional quality to a living room, a gallery wall or an open dining space.
Layered panels of frosted, wave-textured glass wrap a chrome frame to form a low round ceiling light, the overlapping leaves softening the glow across the whole drum. Modeled in 3ds Max (.max) with V-Ray shading, this flush-mount fixture is a comfortable choice for a bedroom, a hallway or a living room with limited ceiling height.
A tall black bell shade with a stepped neck flares to a crisp white rim, hung on a short black cord from a domed canopy. Built in 3ds Max (.max) with V-Ray materials, this simple utilitarian pendant drops neatly over a dining table, a hallway or a home-office desk.
Spun aluminium domes with a soft satin sheen hang beside a slim glass cylinder light, the group mixing bowl and tube shapes from one family. Modeled in 3ds Max (.max) with V-Ray shading, the warm metallic finish suits a retro kitchen, a diner booth or a studio corner that wants a touch of workshop character.
A broad glossy black band loops and folds on itself like a dropped ribbon, its inner face lined with rippled gold leaf that glows when lit. Created in 3ds Max (.max) with V-Ray materials, the piece hangs from fine cables and makes a bold centrepiece over a dining table or in a hotel lounge.
A rough sawn timber beam is slung horizontally on bright red lifting straps and shackles, with a slim LED channel tucked along its underside for a warm downward wash. Modeled in 3ds Max (.max) with V-Ray shading, this raw loft-style linear fixture is made for a long kitchen island, a communal work table or a bar counter in an industrial fit-out.
Irregular molten blobs of mirrored glass catch the light in gold, copper and chrome, each pendant looking half-collapsed as if caught mid-pour. Built in 3ds Max (.max) with V-Ray materials, the reflective shapes distort their surroundings for a sculptural focal point over a bar, a console or a bedside.
Thin vertical rods drop at staggered lengths from a circular canopy, each tipped with a tiny point of light so the whole piece reads like falling rain. Modeled in 3ds Max (.max) with V-Ray shading, the model also includes mesh-wrapped cylinder downlights from the same range. It suits a double-height stairwell or a lobby void where a tall vertical composition can breathe.
Open faceted cages built from slim bars form a rough dodecahedron around a single bare bulb, shown in light oak, dark oak and matte black. Created in 3ds Max (.max) with V-Ray materials, the trio throws a lively pattern of shadows and works well clustered over a dining table or spaced along a hallway.
The classic enamelled factory shade gets a high-gloss black finish here, its deep dome flaring to a bright white underside on a simple black cord and canopy. Modeled in 3ds Max (.max) with V-Ray shading, it is an easy workhorse for a loft kitchen, a cafe counter or a workshop bench where one honest shape does the job.
A coordinated lighting family fills this bright room: soft-cornered rectangular LED panels hang low over the floor while matching oval sconces climb one wall. Built in 3ds Max (.max) with V-Ray materials, the set suits an open-plan office or reception area where suspended and wall-mounted fixtures need to read as one system. Frames come in white and graphite.
Three needle-thin cone pendants taper to a fine point above a small glowing lens, shown in polished copper with a burgundy collar, mirror chrome, and matte black. Modeled in 3ds Max (.max) with V-Ray shading and ready to drop in over a kitchen island or a stairwell. The trio lets you mix finishes or repeat one along a run for a clean, linear rhythm.
A big soft drum wrapped in taupe woven fabric, closed underneath by a finely pleated white diffuser ring that glows evenly. Slim wires from a chrome cap keep the wide shade level. Built in 3ds Max (.max) and shaded with V-Ray. A fit for a living room, bedroom or hotel-lobby render that needs a large, quiet ceiling fixture giving broad ambient light.