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5255 free v-ray 3D models for 3ds Max, ready to drop into your visualization scenes.
5255 models · clear filters
Four squat white cylinders drop from a single ceiling plate on fine wires, each tilting head cradling a faceted reflector lamp at a slightly different angle. Created in 3ds Max (.max) with V-Ray. A sculptural cluster for double-height living rooms, stairwells or reception voids.
A slim white bar hangs on two thin cables and holds a pair of cylindrical spot heads that swivel on knuckle joints. The whole thing stays visually quiet against a pale ceiling. Modeled in 3ds Max (.max) with V-Ray shading. Suits kitchen island, dining or studio layouts that need directional fill from a single suspended line.
Three polished chrome back-plates — single, double and triple — each carry rounded gimbal spots that aim independently, their mirrored bodies picking up whatever light is around them. Modeled in 3ds Max (.max) with V-Ray materials. A flexible accent-lighting set for hallway, gallery or bathroom mirror renders.
Four rows of fluorescent lamps glow through a mirror-finish egg-crate louver, the classic 600 mm fitting that lines most open-plan offices. The reflective cells keep the source out of direct view from a desk. Built in 3ds Max (.max) with V-Ray shading and a lit lamp material. Drop it into a plenum ceiling for workplace or retail back-of-house renders.
Slim linear bar pendants in silver and black, each able to tilt on its suspension so a run can be set flat or pitched at varied angles across a room. The staggered layout turns a simple bar into a kinetic ceiling composition. Built in 3ds Max (.max) with V-Ray shading. Good for offices, showrooms and lobbies where the lighting layout needs some rhythm in a commercial render.
Slim triangular hoops lit along their inside edge, layered and rotated over a bright room, with a matching field of small triangular emitter tiles across the far ceiling. The angular outline gives a sharper alternative to round and square rings. Modeled in 3ds Max (.max) and shaded with V-Ray. Suited to offices, galleries and showrooms wanting a distinctive geometric ceiling in an architectural scene.
Open square hoops of slim profile, lit around their inner edge, hung flat and overlapping in white and black against a pale room. The empty centres let the ceiling show through while the outline draws a bright square of light. Built in 3ds Max (.max) with V-Ray materials. A graphic choice over reception areas, lounges and open offices in a contemporary render.
Square lit panels that tile into crosses, columns and scattered grids across a showroom ceiling, with slim wall-mounted versions running down one side. The system is built for composing a light pattern rather than placing a fixture. Modeled in 3ds Max (.max) and rendered with V-Ray. Ideal for offices, showrooms and lobbies where the ceiling layout is part of the brief.
Rounded-square slab pendants grouped and stacked at different levels, white bodies with a couple in dark grey, their soft-edged faces glowing evenly. The family scales from a single tile to a linked cluster. Built in 3ds Max (.max) with V-Ray shading. Suited to offices, meeting rooms and retail floors in an architectural visualization.
Circular slab pendants in a range of diameters, mostly white with one charcoal, dropped at staggered heights in a bright showroom. The flat lit face and shallow rim keep each one looking like a floating coin of light. Modeled in 3ds Max (.max) and rendered with V-Ray. Cluster them over a reception desk, lounge or open office in a commercial render.
A floating assortment of contemporary luminaires: round disc panels, square trays, ring lights and slim cylinders, some chrome-rimmed, all suspended on fine cables. A ready-made kit for dressing a whole ceiling scheme. Built in 3ds Max (.max) with V-Ray materials. Useful for offices, retail and residential renders that need a coordinated set of modern fittings.
A sealed industrial batten with a milky polycarbonate tube diffuser and grey end caps clamped down over a gasket. It is the rugged fitting used where dust and damp rule out anything decorative. Modeled in 3ds Max (.max) and shaded with V-Ray. Fits garages, car parks, warehouses and service corridors in a technical visualization.
A shallow open rectangle of white-painted metal mounts to the wall and lights along its lower inside edge, shown three-up as a stacked column with loose wireframe forms behind. The frame casts light while barely reading as a fixture. Built in 3ds Max (.max) and rendered with V-Ray. A tidy accent for corridors, lobbies and stairwells in an architectural scene.
A long aluminium blade that swells from a thin tip to a broad tail, its underside set with rectangular frosted emitters, hung on cables with a matching wall-mounted version alongside. The aerofoil shape gives an otherwise technical fitting some movement. Modeled in 3ds Max (.max) with V-Ray shading. Suited to open offices, studios and meeting spaces in a workplace render.
A spread of matte-black bar pendants in assorted lengths and sections, some square-ended, some slim blades, all hanging on thin drops with their lower faces lit. The set is meant to be mixed and matched across a space. Modeled in 3ds Max (.max) and rendered with V-Ray. Useful over kitchen islands, workstations and long tables in a contemporary interior scene.
A continuous aluminium profile with a frosted lens runs the length of the room, broken by black junction blocks and turned down at one end into a wall return. A measured elevation drawing sits below the render. Built in 3ds Max (.max) with V-Ray shading. Good for continuous-row lighting in offices, retail and studios in an architectural render.
A wide rectangular tray suspended on four cables, its base a patchwork of frosted emitters and dark ventilation grilles with a central control module. It reads as a serious architectural fitting built to light a big floorplate. Modeled in 3ds Max (.max) and shaded with V-Ray. Suited to open offices, conference rooms and reception halls in a commercial visualization.
Two identical white batten fixtures with rounded frosted diffusers and small driver boxes, laid out on a pale surface. Nothing decorative here, just a tidy surface-mount channel of light. Created in 3ds Max (.max) with V-Ray materials. Fits utility spaces, garages, laundry rooms and corridor ceilings or walls in a practical interior scene.
A cylindrical bar pendant with a ribbed glass window running down its centre, offered in a warm champagne and a dark bronze finish over a concrete backdrop. The fluted lens softens the LED line into a textured band of light. Modeled in 3ds Max (.max) and rendered with V-Ray. A refined option above a dining table, bar counter or kitchen island in an interior render.
A kit of slim black linear segments that snap into rectangles, zigzags and free runs across both ceiling and wall, shown installed in a bare white room with a figure for scale. The system is about drawing lines of light rather than hanging a single fixture. Built in 3ds Max (.max) with V-Ray shading. Ideal for offices, showrooms and lobbies where a custom ceiling-and-wall light graphic is part of the design.
A long dark-grey box pendant hangs on two thin cables, its underside filled with a fine louvre grille that tames the glare. The proportions are drawn straight from open-plan office ceilings. Modeled in 3ds Max (.max) and shaded with V-Ray. Line several up over desks or a boardroom table in a workplace render.
A wedge-shaped aluminium housing carries a broad frosted diffuser on its lower face, cantilevered off the wall on a short arm. Visible fixing screws and a ribbed heat-sink edge give it a mildly technical character. Created in 3ds Max (.max) with V-Ray materials. Works as accent or task lighting in offices, hallways and living spaces within an interior visualization.
A flat brushed-aluminium blade with softly rounded ends sits proud of the wall on a low bracket, its underside a continuous warm glow. The dimension inset underlines how shallow the extrusion is. Built in 3ds Max (.max) and rendered with V-Ray. A clean choice for above artwork, headboards or reception signage in a contemporary interior scene.
A triangular aluminium profile mounts flush to the wall and tips its lit edge outward, laying a long even stripe of light along the surface. Both a face view and a raking angle show how thin the housing really is. Modeled in 3ds Max (.max) with V-Ray shading. Suited to corridors, stairwells and gallery walls where a discreet grazing light is needed in an architectural render.