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379 free pendant light 3D models for 3ds Max, ready to drop into your visualization scenes.
379 models · clear filters
A rectangular cage of horizontal dark walnut slats hangs from a square canopy on fine cables, warm LED strips glowing in the gaps between the boards. Modeled in 3ds Max (.max) with V-Ray. A warm feature pendant for a dining table, kitchen island or restaurant booth.
A row of slender white tubes in stepped lengths surface-mounts to the ceiling, with one matching tube dropped low on a thin cable as a pendant. Created in 3ds Max (.max) with V-Ray. A tight beam spot for kitchen islands, dining tables and retail counters.
A polished chrome stem tapers to a faceted crystal teardrop on a slim drop cable, paired with two matching chrome ceiling spot heads. Modeled in 3ds Max (.max) with V-Ray shading. A jewel-like fitting for a bedside drop, a powder room or a small entry.
A slim linear bar drops from two chrome stems, a matt black sphere clamped along it that rotates within its cradle to point the recessed lamp anywhere. Modeled in 3ds Max (.max) with V-Ray shading. A directional pendant for kitchen islands, worktables and gallery benches.
Four white cylinders hang at staggered heights from one canopy, each lamp held in a gimbal ring so it can pan and tilt freely. Created in 3ds Max (.max) with V-Ray. A directional cluster for lofts, galleries or stairwell voids.
A dark oak beam suspended on chrome stems carries five mirrored cube spotlights, their warm halogen glow bouncing off the polished metal and the timber grain. Built in 3ds Max (.max) with V-Ray shading. A statement fixture for a rustic-modern dining table or kitchen bar.
Four squat white cylinders drop from a single ceiling plate on fine wires, each tilting head cradling a faceted reflector lamp at a slightly different angle. Created in 3ds Max (.max) with V-Ray. A sculptural cluster for double-height living rooms, stairwells or reception voids.
A slim white bar hangs on two thin cables and holds a pair of cylindrical spot heads that swivel on knuckle joints. The whole thing stays visually quiet against a pale ceiling. Modeled in 3ds Max (.max) with V-Ray shading. Suits kitchen island, dining or studio layouts that need directional fill from a single suspended line.
Slim linear bar pendants in silver and black, each able to tilt on its suspension so a run can be set flat or pitched at varied angles across a room. The staggered layout turns a simple bar into a kinetic ceiling composition. Built in 3ds Max (.max) with V-Ray shading. Good for offices, showrooms and lobbies where the lighting layout needs some rhythm in a commercial render.
Slim triangular hoops lit along their inside edge, layered and rotated over a bright room, with a matching field of small triangular emitter tiles across the far ceiling. The angular outline gives a sharper alternative to round and square rings. Modeled in 3ds Max (.max) and shaded with V-Ray. Suited to offices, galleries and showrooms wanting a distinctive geometric ceiling in an architectural scene.
Open square hoops of slim profile, lit around their inner edge, hung flat and overlapping in white and black against a pale room. The empty centres let the ceiling show through while the outline draws a bright square of light. Built in 3ds Max (.max) with V-Ray materials. A graphic choice over reception areas, lounges and open offices in a contemporary render.
Square lit panels that tile into crosses, columns and scattered grids across a showroom ceiling, with slim wall-mounted versions running down one side. The system is built for composing a light pattern rather than placing a fixture. Modeled in 3ds Max (.max) and rendered with V-Ray. Ideal for offices, showrooms and lobbies where the ceiling layout is part of the brief.
Rounded-square slab pendants grouped and stacked at different levels, white bodies with a couple in dark grey, their soft-edged faces glowing evenly. The family scales from a single tile to a linked cluster. Built in 3ds Max (.max) with V-Ray shading. Suited to offices, meeting rooms and retail floors in an architectural visualization.
Circular slab pendants in a range of diameters, mostly white with one charcoal, dropped at staggered heights in a bright showroom. The flat lit face and shallow rim keep each one looking like a floating coin of light. Modeled in 3ds Max (.max) and rendered with V-Ray. Cluster them over a reception desk, lounge or open office in a commercial render.
A floating assortment of contemporary luminaires: round disc panels, square trays, ring lights and slim cylinders, some chrome-rimmed, all suspended on fine cables. A ready-made kit for dressing a whole ceiling scheme. Built in 3ds Max (.max) with V-Ray materials. Useful for offices, retail and residential renders that need a coordinated set of modern fittings.
A long aluminium blade that swells from a thin tip to a broad tail, its underside set with rectangular frosted emitters, hung on cables with a matching wall-mounted version alongside. The aerofoil shape gives an otherwise technical fitting some movement. Modeled in 3ds Max (.max) with V-Ray shading. Suited to open offices, studios and meeting spaces in a workplace render.
A spread of matte-black bar pendants in assorted lengths and sections, some square-ended, some slim blades, all hanging on thin drops with their lower faces lit. The set is meant to be mixed and matched across a space. Modeled in 3ds Max (.max) and rendered with V-Ray. Useful over kitchen islands, workstations and long tables in a contemporary interior scene.
A continuous aluminium profile with a frosted lens runs the length of the room, broken by black junction blocks and turned down at one end into a wall return. A measured elevation drawing sits below the render. Built in 3ds Max (.max) with V-Ray shading. Good for continuous-row lighting in offices, retail and studios in an architectural render.
A wide rectangular tray suspended on four cables, its base a patchwork of frosted emitters and dark ventilation grilles with a central control module. It reads as a serious architectural fitting built to light a big floorplate. Modeled in 3ds Max (.max) and shaded with V-Ray. Suited to open offices, conference rooms and reception halls in a commercial visualization.
A cylindrical bar pendant with a ribbed glass window running down its centre, offered in a warm champagne and a dark bronze finish over a concrete backdrop. The fluted lens softens the LED line into a textured band of light. Modeled in 3ds Max (.max) and rendered with V-Ray. A refined option above a dining table, bar counter or kitchen island in an interior render.
A kit of slim black linear segments that snap into rectangles, zigzags and free runs across both ceiling and wall, shown installed in a bare white room with a figure for scale. The system is about drawing lines of light rather than hanging a single fixture. Built in 3ds Max (.max) with V-Ray shading. Ideal for offices, showrooms and lobbies where a custom ceiling-and-wall light graphic is part of the design.
A long dark-grey box pendant hangs on two thin cables, its underside filled with a fine louvre grille that tames the glare. The proportions are drawn straight from open-plan office ceilings. Modeled in 3ds Max (.max) and shaded with V-Ray. Line several up over desks or a boardroom table in a workplace render.
Two slender aluminium cylinders hang on fine cables at a gentle offset, one face milled into a ribbed texture, the cut ends glowing softly. The look is quiet and technical, meant to float almost invisibly over a surface. Created in 3ds Max (.max) with V-Ray shading. Good over a kitchen island, meeting table or reception desk in a contemporary render.
A gold band set with chunky faceted glass cabochons in raised bezels forms a short drum, hung level on fine cables with a ring of clear crystal balls dropping from its lower edge. Created in 3ds Max (.max) and rendered with V-Ray using gilt-metal and faceted-glass shaders. Suited to a dining room, hotel bar or entry hall render, singly or in a cluster.