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379 free pendant light 3D models for 3ds Max, ready to drop into your visualization scenes.
379 models · clear filters
Glossy sunflower-yellow lacquer wraps a wide conical brim that sits below a faceted, gem-cut drum, so the fixture reads as one bright disc floating under a diamond. The recessed base glows warmly while the outer ring stays a solid block of colour. Modeled in 3ds Max (.max) with V-Ray shading. A cheerful single pendant over a round dining table or a breakfast nook that could use one strong accent.
A capsule of clear glass sits inside a protective metal cage with a domed cap, hung from a long length of dark chain rather than a cord. The whole thing has the look of a ship's deck light brought indoors. Built in 3ds Max (.max) and rendered with V-Ray. A characterful single pendant for a hallway, a bar, or a covered porch.
Two bulb-shaped cages built from curved vertical slats, one in matte white and one in black, taper to a narrow neck at the top and swell out below. The gaps between the ribs scatter a soft striped pattern. Modeled in 3ds Max (.max) with V-Ray materials. Shown as a pair, they work over a dining table, a kitchen island, or in a retail display.
Two dark wood rectangles cross at the centre and hold four gently curved white glass panels that lift at their outer corners, like pages caught mid-turn. Light pools where the panels overlap the frame. Built in 3ds Max (.max) and rendered with V-Ray. An architectural pendant for a dining room, a stair landing, or a hotel lounge.
A stepped white-painted metal dome hangs from a twisted grey fabric cord, with a small brass fitting where the shade meets the cable adding a warm point of contrast. A slimmer version of the same shade hangs alongside. Modeled in 3ds Max (.max) with V-Ray materials. A familiar, friendly pendant for a farmhouse kitchen, a breakfast bar, or a hallway.
A heavy dome shade in dark aged bronze sits under a tall vented collar, the slots letting a little light escape upward while the bowl throws most of it down. Brushed highlights pick out the worn metal. Created in 3ds Max (.max) and shaded with V-Ray. A rugged choice for a kitchen island, a workshop-style café, or a warehouse conversion.
A loose group of frosted glass pendants in mismatched shapes — fat teardrops, tall bottles, plump globes — drops at different heights on black cords. Each one glows gently, like a handful of oversized bulbs. Built in 3ds Max (.max) and rendered with V-Ray. A soft, informal arrangement for a stairwell, a dining corner, or a shopfront window.
A single length of walnut, its ends rounded like a smooth baton, hangs level on two fine wires with the flex cable looping casually up to the ceiling. The grain runs the full span and the downward face is a soft strip of light. Modeled in 3ds Max (.max) with V-Ray materials. A warm, low-key fixture for a dining table, a kitchen island, or a long hallway.
A large half-sphere in mirror-black hangs on an adjustable cable, its inside fitted with a pale pleated liner that softens and warms the downward light. From below the white lens reads as a bright disc in a dark shell. Created in 3ds Max (.max) and shaded with V-Ray. A generous single pendant for a dining table, a kitchen island, or a lobby desk.
A small matte black sphere with an angled open face hangs from a long coiled cord, a loop of extra cable left slack near the shade so the drop can be adjusted by hand. Simple, direct, a bit lab-bench. Built in 3ds Max (.max) and rendered with V-Ray. Useful as a task pendant over a desk, a bedside, or a reading chair.
Polished chrome spikes hang at many lengths from a compact canopy, each tipped with a clear glass point that lights up like a droplet. Together they spiral downward in a glittering column. Modeled in 3ds Max (.max) with V-Ray materials. A dramatic drop for a stairwell, an entrance hall, or a double-height living room.
A faceted diamond cage of thin black rods surrounds a single bare bulb, its open geometry casting a web of shadows on the ceiling and walls. The frame is all line, almost weightless. Modeled in 3ds Max (.max) with V-Ray shading. A budget-friendly accent for a hallway, a home office, or a row over a café counter.
A raw grey concrete body flares from a slim black stem into a funnel, its speckled surface and visible casting marks left deliberately rough. A small glass lens sits recessed in the wide mouth. Built in 3ds Max (.max) and rendered with V-Ray. Well matched to a kitchen island, a loft workspace, or a retail fit-out leaning on honest materials.
Dozens of dark walnut slats are stacked along a hidden spine and twisted into a slow S-curve, so the bar seems to ripple as it runs. Light escapes between the blades in thin warm lines. Modeled in 3ds Max (.max) with V-Ray materials. A striking horizontal element above a boardroom table, a hospitality bar, or a long kitchen island.
A slender white turned-wood stem, stacked with baluster and bead shapes, drops from a matching ceiling rose and carries a simple ivory drum shade. The silhouette nods to traditional furniture legs reworked as lighting. Modeled in 3ds Max (.max) with V-Ray shading. Sits comfortably in a country kitchen, a reading nook, or a bedroom that mixes classic and pared-back pieces.
A wide glossy black dome hides a finely pleated gold liner, so the outside stays graphic and dark while the light that spills downward is warm and richly coloured. The contrast is the whole point of the piece. Built in 3ds Max (.max) and rendered with V-Ray. A confident single pendant over a round dining table or a kitchen island in a contemporary scheme.
A heavy ribbed chrome cap, shaped like an oversized bulb base, grips a round opal-glass globe below it. The pairing of industrial hardware with a soft diffuser gives the fixture a workshop-turned-domestic feel. Modeled in 3ds Max (.max) with V-Ray materials; the file also includes a clay wireframe view. Good for a kitchen island run, a café counter, or a hallway in a period apartment.
Two tall white cones taper to a narrow point at the top and open wide at the base, their surfaces wrapped in a fine spiralling rib that reads almost like turned pottery. The open ends glow warmly. Created in 3ds Max (.max) and shaded with V-Ray. Hung as a pair they suit an entry, a stairwell, or one side of a living room where their length has room to breathe.
Two long frosted tubes sit side by side in a brushed-steel yoke, suspended on fine cables from a low-profile canopy. The look is stripped back and technical, with the diffusers doing all the visual work. Built in 3ds Max (.max) and rendered with V-Ray. Reads well over a workbench, a long meeting table, or a gallery corridor that wants even, glare-free light.
Five sharp black cones drop on slim stems from a round canopy, each tipped with a small frosted glass shade that catches the light. The staggered lengths give the group a falling, cascading rhythm. Modeled in 3ds Max (.max) with V-Ray shading. A neat fit for a stairwell void or a spot beside a double-height window where the drop can be enjoyed from two levels.
Thin black rods cross the ceiling at sharp diagonals, each ending in a small glossy cylinder spot that points a different way. The overlapping lines give the cluster an energetic, almost drawn quality against a plain surface. Modeled in 3ds Max (.max) with V-Ray materials. Works over a lounge seating group or an open-plan corner that needs several pools of directional light from one canopy.
A set of polished chrome pendants, each dropping a small blown-glass globe from a thin stem — some in solid opal white, others in clear glass that shows the fitting inside. Hung at staggered heights they form a quiet constellation. Built in 3ds Max (.max) and rendered with V-Ray. Suited to a stairwell, a bedside pairing, or a row above a kitchen island in a restrained interior.
Slim white tubes fan out from a single ceiling point in a loose, staggered arc, each one tilting at its own angle so the fixture reads like a suspended gesture rather than a rigid bar. The matte diffusers glow softly along their full length. Modeled in 3ds Max (.max) with V-Ray shading. A sculptural choice for a long dining table or a reception counter where the light itself should be part of the composition.
A ribbon of matte-white lit segments bent into soft blobby loops and hung as three overlapping panels at stepped heights on thin cables. The glowing amoeba shapes drift across each other from below. Assembled in 3ds Max (.max) with V-Ray materials. A sculptural pendant for modern dining-room, lobby and lounge interior visualizations.