Tag
381 free pendant light 3D models for 3ds Max, ready to drop into your visualization scenes.
381 models · clear filters
Chunky natural-timber tops meet clean cylindrical shades in white and matte black, each holding a coiled-filament Edison bulb that spills warm light from the open base. The pairing of raw wood and painted metal keeps it grounded. Modeled in 3ds Max (.max) and rendered with V-Ray. A natural fit for a Nordic kitchen, a bedside drop or a warm minimalist interior render.
Slender copper stems flare into shallow trumpet bowls with polished chrome undersides, staggered at different heights over a concrete wall. The mirror-bright metal picks up every reflection in the room. Built in 3ds Max (.max) and rendered with V-Ray using layered metal shaders. A refined choice for a dining table cluster, a stairwell drop or a hospitality lobby visualization.
A tangle of red textile cords drops a scatter of teardrop Edison bulbs from a rough black timber mounting beam, the exposed filaments glowing warm against the bare glass. The look is deliberately unfinished and workshop-made. Modeled in 3ds Max (.max) with V-Ray shading and clear-glass bulb materials. Suited to a loft kitchen island, a cafe counter or an industrial-style dining render where the wiring is meant to be seen.
Turned wood tops meet an angled metal cone base, the diagonal cut where the two materials join giving each pendant its off-kilter profile in grey, mustard and black. Built in 3ds Max (.max) with V-Ray materials, the trio drops a warm spot of light over a dining table, a kitchen island or a workspace and mixes finishes cleanly.
A stepped bell shade hangs from a short link chain and matching canopy, shown in matte dark grey and polished copper with a bright white interior. Created in 3ds Max (.max) with V-Ray materials, the sturdy warehouse-style pendant drops over a kitchen island, an entry or a workshop bench.
A wide clear-glass schoolhouse bowl with a rolled rim sits under a polished chrome fitter and turn-key switch, a long filament bulb glowing at its centre. Built in 3ds Max (.max) with V-Ray shading, the crisp transparent shade suits a kitchen island, a bathroom vanity or a hallway where the fixture should almost disappear.
A rounded steel wire cage encloses a glossy black teardrop shade, the outer bars and inner lacquer reading as two layered silhouettes. Modeled in 3ds Max (.max) with V-Ray materials, the trio hangs at mixed heights over a kitchen island, a stair void or a restaurant table for a dark industrial accent.
A tapered steel wire cage with a flat brim guards a large filament Edison bulb, its aged brass fitter and dark frame lit to a warm amber. Modeled in 3ds Max (.max) with V-Ray materials, this single vintage-industrial pendant works over a bar, a workbench or a cafe table where the bulb is meant to be seen.
Cream pleated shades in cylinder, oval and tapered-urn shapes glow softly from within, the folded ribs casting a gentle striped light. Created in 3ds Max (.max) with V-Ray materials, the grouped lanterns bring a warm handcrafted feel to a dining corner, a reading area or a bedroom.
Four long black cones taper to a lit point, dropped at staggered heights from a slim rectangular canopy for a narrow vertical rain of light. Modeled in 3ds Max (.max) with V-Ray shading, the linear bar mounts neatly over a kitchen island, a console or a stair edge where a compact footprint matters.
A run of softly conical glass shades with flared curved rims, tinted smoke, amber, clear, olive and violet, each holding a slim vertical lamp. Created in 3ds Max (.max) with V-Ray materials, the flexible set drops over a kitchen island or a communal table and mixes freely with the matching pear and teardrop shapes.
Rounded pear-shaped glass shades hang in a neat line, their smoke, amber, grey, olive and purple tints deepening toward the base around a warm central lamp. Built in 3ds Max (.max) with V-Ray shading, the coordinated colours suit a dining bench, a hotel bar or a stair landing where repetition keeps the look calm.
Five asymmetric glass teardrops lean off-axis on chrome canopies, tinted smoke, amber, grey, olive and violet with a slim frosted lamp glowing inside each. Modeled in 3ds Max (.max) with V-Ray materials, the coloured set is easy to mix along a kitchen island or a reception desk where a soft band of colour is wanted.
An enlarged decorative bulb hangs on a bare wire, its lower half silvered like a chrome-dipped mirror while the top reads as clear glass and a screw base. Created in 3ds Max (.max) with V-Ray shading, the single oversized shape is a witty accent for a retail fitting room, a dressing table or an entry hall.
A line of bare globe bulbs hangs from chunky silicone lamp holders in red, black, white, yellow, teal and brass against a raw concrete wall. Modeled in 3ds Max (.max) with V-Ray materials, the playful budget-style pendants are made to be grouped over a bar, a cafe counter or a kids' playroom.
A single elongated teardrop shade in high-gloss black narrows to a slim stem, its lacquered surface catching long window reflections. Built in 3ds Max (.max) with V-Ray shading, the quiet sculptural drop suits a bedside, a reading nook or a row over a kitchen island where a subtle silhouette is wanted.
A tall black bell shade with a stepped neck flares to a crisp white rim, hung on a short black cord from a domed canopy. Built in 3ds Max (.max) with V-Ray materials, this simple utilitarian pendant drops neatly over a dining table, a hallway or a home-office desk.
Spun aluminium domes with a soft satin sheen hang beside a slim glass cylinder light, the group mixing bowl and tube shapes from one family. Modeled in 3ds Max (.max) with V-Ray shading, the warm metallic finish suits a retro kitchen, a diner booth or a studio corner that wants a touch of workshop character.
A rough sawn timber beam is slung horizontally on bright red lifting straps and shackles, with a slim LED channel tucked along its underside for a warm downward wash. Modeled in 3ds Max (.max) with V-Ray shading, this raw loft-style linear fixture is made for a long kitchen island, a communal work table or a bar counter in an industrial fit-out.
Irregular molten blobs of mirrored glass catch the light in gold, copper and chrome, each pendant looking half-collapsed as if caught mid-pour. Built in 3ds Max (.max) with V-Ray materials, the reflective shapes distort their surroundings for a sculptural focal point over a bar, a console or a bedside.
Open faceted cages built from slim bars form a rough dodecahedron around a single bare bulb, shown in light oak, dark oak and matte black. Created in 3ds Max (.max) with V-Ray materials, the trio throws a lively pattern of shadows and works well clustered over a dining table or spaced along a hallway.
The classic enamelled factory shade gets a high-gloss black finish here, its deep dome flaring to a bright white underside on a simple black cord and canopy. Modeled in 3ds Max (.max) with V-Ray shading, it is an easy workhorse for a loft kitchen, a cafe counter or a workshop bench where one honest shape does the job.
A coordinated lighting family fills this bright room: soft-cornered rectangular LED panels hang low over the floor while matching oval sconces climb one wall. Built in 3ds Max (.max) with V-Ray materials, the set suits an open-plan office or reception area where suspended and wall-mounted fixtures need to read as one system. Frames come in white and graphite.
Three needle-thin cone pendants taper to a fine point above a small glowing lens, shown in polished copper with a burgundy collar, mirror chrome, and matte black. Modeled in 3ds Max (.max) with V-Ray shading and ready to drop in over a kitchen island or a stairwell. The trio lets you mix finishes or repeat one along a run for a clean, linear rhythm.