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1197 free modern 3D models for 3ds Max, ready to drop into your visualization scenes.
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White cylinder heads with finned black heat sinks clip onto a slim ceiling track, each pivoting on its yoke to wash a wall or pick out a display. Modeled in 3ds Max (.max) with V-Ray shading. Adjustable track spots for shop floors, studios and gallery hangs.
Round downlights set into a plaster ceiling, some capped with a thick bevelled clear-glass lens, others glowing behind a flush frosted diffuser. Created in 3ds Max (.max) with V-Ray. A domestic recessed fitting for living rooms, corridors and covered outdoor soffits.
A mixed tray of round and square recessed fittings — chrome eyeball spots, bevelled clear-glass lenses, a frosted disc and twin-glass ceiling pucks. Built in 3ds Max (.max) with V-Ray materials. A grab-bag of downlights for kitting out bathrooms, hallways and general ceiling plans.
Rectangular recessed frames in white and black, built in one-, two- and three-lamp widths, each COB reflector held in a cardan yoke that pans and tilts. Modeled in 3ds Max (.max) with V-Ray shading. A directional recessed system for gallery walls, showrooms and open-plan retail ceilings.
Recessed black cardan frames in single, double and triple modules, the AR111 reflectors gimbal-mounted so each can aim on two axes. Built in 3ds Max (.max) with V-Ray. A professional recessed system for museums, showrooms and gallery ceilings.
Crisp white cubes in one-, two- and three-lamp widths, each opening housing a mirrored AR111 reflector on a tilting yoke. Modeled in 3ds Max (.max) with V-Ray shading. Surface-mounted spots for concrete or timber ceilings in shops and studios.
Three faceted AR111 lamps sit angled inside a flush black frame, reading as a dark seam in the plaster until the light is switched on. Created in 3ds Max (.max) with V-Ray. Directional recessed lighting for feature walls and display zones.
A trimless black slot cut into the ceiling holds three chrome AR111 reflectors, each on a gimbal that tilts and spins within the channel. Modeled in 3ds Max (.max) with V-Ray materials. An architectural accent line for galleries, lobbies and high-end retail.
A white collar wraps a black conical baffle, the warm LED disc set deep inside so the source stays hidden from direct view. Built in 3ds Max (.max) with V-Ray. Clean surface downlights to line up over a kitchen, corridor or retail floor.
Two tall cylinders — one white, one dusky pink — clamp to the ceiling with a gimbal lamp recessed at the base of each tube. Modeled in 3ds Max (.max) with V-Ray shading. Surface downlights for bedrooms, hallways or any ceiling that cannot be cut.
A slim triangular wedge in grey and green tucks into the front corner of a wall cabinet, with a single round halogen puck set into the underside. Modeled in 3ds Max (.max) with V-Ray materials. A task light for kitchen wall units, display shelving or a workshop bench.
Shallow round housings with a white outer ring and a deep black cone, each glowing with a warm LED source tucked at the centre. Built in 3ds Max (.max) with V-Ray. Two housings ready to array across a hallway, kitchen or bathroom ceiling.
Two black heads on a slim rectangular plate each grip a chunky faceted glass lens, with thin pull cords dangling for the switch. Modeled in 3ds Max (.max) with V-Ray materials. A slightly retro accent light for a hallway or bedside wall.
Shown as both a flush recessed can and a stubby surface cylinder, the black trim tilts to wash a warm scallop of light down a nearby wall. Modeled in 3ds Max (.max) with V-Ray. Good for corridor, gallery or feature-wall lighting studies.
Rounded bell-shaped shades in matte grey hang from a slim ceiling rail, each exposing a deep faceted reflector and lamp inside. Built in 3ds Max (.max) with V-Ray. Suited to showroom, cafe or open-plan office lighting plans.
Three cylindrical PAR30 heads clamp onto a recessed black track, each on a short arm that rotates and tilts through a wide arc. Modeled in 3ds Max (.max) with V-Ray shading. A standard retail and gallery track system for accenting merchandise or artwork.
A short white drum sits flush to the ceiling while its black-rimmed inner ring pivots to throw light at an angle rather than straight down. Modeled in 3ds Max (.max) with V-Ray materials. Handy for retail displays or feature walls where a surface fixture still needs to aim its beam.
Three polished chrome back-plates — single, double and triple — each carry rounded gimbal spots that aim independently, their mirrored bodies picking up whatever light is around them. Modeled in 3ds Max (.max) with V-Ray materials. A flexible accent-lighting set for hallway, gallery or bathroom mirror renders.
Four rows of fluorescent lamps glow through a mirror-finish egg-crate louver, the classic 600 mm fitting that lines most open-plan offices. The reflective cells keep the source out of direct view from a desk. Built in 3ds Max (.max) with V-Ray shading and a lit lamp material. Drop it into a plenum ceiling for workplace or retail back-of-house renders.
Set into a suspended tile grid, this rectangular troffer hides its fluorescent tubes behind a stepped aluminium parabolic louver that breaks the glare into a crisp silver sheen. It is the plainest workhorse of the commercial ceiling. Modeled in 3ds Max (.max) as a drop-in ceiling module. Useful for office, classroom and corridor visualizations that need a believable commercial ceiling overhead.
Slim linear bar pendants in silver and black, each able to tilt on its suspension so a run can be set flat or pitched at varied angles across a room. The staggered layout turns a simple bar into a kinetic ceiling composition. Built in 3ds Max (.max) with V-Ray shading. Good for offices, showrooms and lobbies where the lighting layout needs some rhythm in a commercial render.
Square lit panels that tile into crosses, columns and scattered grids across a showroom ceiling, with slim wall-mounted versions running down one side. The system is built for composing a light pattern rather than placing a fixture. Modeled in 3ds Max (.max) and rendered with V-Ray. Ideal for offices, showrooms and lobbies where the ceiling layout is part of the brief.
Rounded-square slab pendants grouped and stacked at different levels, white bodies with a couple in dark grey, their soft-edged faces glowing evenly. The family scales from a single tile to a linked cluster. Built in 3ds Max (.max) with V-Ray shading. Suited to offices, meeting rooms and retail floors in an architectural visualization.
Circular slab pendants in a range of diameters, mostly white with one charcoal, dropped at staggered heights in a bright showroom. The flat lit face and shallow rim keep each one looking like a floating coin of light. Modeled in 3ds Max (.max) and rendered with V-Ray. Cluster them over a reception desk, lounge or open office in a commercial render.