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1197 free modern 3D models for 3ds Max, ready to drop into your visualization scenes.
1197 models · clear filters
Three deep bell-dome shades in high-gloss white, lime green and black, each with a contrasting dark inner rim and a small central diffuser, hung on plain black cords. The saturated lacquer finish is the standout detail. Built in 3ds Max with V-Ray materials. Line them up over a kitchen bar or breakfast table in a modern interior render.
Three elongated white glass shades with a carved wave relief running down each body, hung in a row from a polished chrome oval canopy. The moulded ripples catch a subtle sheen along their length. Modeled in 3ds Max with V-Ray shading. Sized to hang over a kitchen island, hallway console or dining table in a modern render.
A multi-point fixture dropping a dozen hand-blown glass spheres at random lengths from a rectangular ceiling plate, in clear, green, teal and rose-gold tints with irregular cratered surfaces. Each orb holds a tiny frosted inner sphere. Assembled in 3ds Max with V-Ray shading. A designer centrepiece for a stairwell void, dining room or gallery render.
A large rounded pod in high-gloss white with a softly bulging profile and a bright diffuser panel set into the flat underside, hung on fine cables from a domed ceiling plate. The lacquer picks up crisp highlights along its curve. Modeled in 3ds Max with V-Ray shading. Suited to a modern kitchen island, dining table or open-plan living render.
A long box-shaped shade in cream textured fabric slung under a brushed nickel bar, with a slim pull detail at the canopy and light spilling from the open ends. The crisp rectilinear form suits a formal table. Built in 3ds Max with V-Ray materials. Intended to hang over a dining table or boardroom setting in a modern interior render.
A single large opal glass shade with softly rounded shoulders and a flat base, glowing evenly from within on a slack black cable against a dark plaster wall. The frosted body diffuses the source into a warm even ball of light. Built in 3ds Max (.max) with V-Ray materials. A quiet statement pendant for a bedroom, entryway or restaurant-booth visualization.
A drum-shaped fixture wrapped in overlapping glossy white blades that fan around a polished chrome hub, catching light on every curved edge. Shown both close up and at room scale to read the proportions. Modeled in 3ds Max with V-Ray shading. Works over a dining table or in a hotel lobby render where a sculptural centrepiece is wanted.
Three half-sphere dome pendants in matte white, brushed gold and gloss black, each lined with a textured hammered-silver interior and hung at staggered heights on thin cables. Built in 3ds Max (.max) and rendered with V-Ray for the painted outer shells and metallic linings. A versatile set for a kitchen island, a bar or a modern dining room render.
A linear bar light with a brushed chrome canopy and three rectangular clear glass shades, each etched with a flowing scroll motif and holding an inner white diffuser cylinder. Built in 3ds Max (.max) and rendered with V-Ray for the clear glass and satin chrome. A neat fit over a kitchen island, a hallway or a modern dining table render.
A minimal table lamp with a thin dark stem on a flat round base, carrying a brushed gunmetal drum shade lined in warm gold that throws light up and down. Modeled in 3ds Max (.max) with V-Ray materials for the brushed metal and glowing interior. A clean choice for a bedside table, a console or a contemporary living room render.
A grey cylindrical spotlight head on a pivoting yoke, clipped to a slim recessed track section with its adapter clearly modelled. The head swings and spins to aim a tight warm beam. Modeled in 3ds Max (.max) with V-Ray materials. Ideal for retail interiors, gallery lighting and open-plan spaces built around track systems.
A round recessed downlight with a deep white scoop that tilts and rotates well past vertical, exposing a honeycomb-textured reflector and a warm COB source. The trim stays flush while the scoop aims the beam. Built in 3ds Max (.max) and shaded with V-Ray. A go-to fitting for gallery walls, retail displays and accent-lighting layouts.
A clean white linear pendant, a single extruded bar with a luminous underside, hung level on two thin cables. The profile is deep enough to hide the driver and shield the light source. Modeled in 3ds Max (.max) with V-Ray shading. A workhorse fitting for open-plan offices, meeting rooms and desk-lighting layouts.
A wide, flat LED street-light head in grey aluminium, angled off a tapered mounting arm on a brushed-steel pole. The dense LED panel faces down for road and pathway lighting. Modeled in 3ds Max (.max) with V-Ray materials. Drop it into a masterplan render, a streetscape or a car-park exterior lighting study.
A round recessed downlight with a white outer flange and a tilting blue inner gimbal that holds a faceted COB LED reflector. The tilt ring lets the beam be aimed well off-axis. Built in 3ds Max (.max) and shaded with V-Ray. A practical component for ceiling plans in retail, gallery or residential lighting visualizations.
A grey wall fixture shaped like a loosely folded sheet of metal, with a circular frosted lens set into one face and a row of small LEDs along the lower fold that grazes the wall. Modeled in 3ds Max (.max) with V-Ray materials. Use it in a modern hallway, a lounge feature wall or an architectural lighting render.
A tall pendant with a U-shaped neck that folds back on itself before flaring into a trumpet mouth, finished in glossy white with a bright orange interior that warms the downward light. Modeled in 3ds Max (.max) with V-Ray shading. A sculptural pick for a stairwell drop, a reception desk or a hospitality render that wants an unusual silhouette.
The bell pendant again in deep gloss black, this time with a lime-green lacquered lip and handle accent that catches the eye where the shade opens. Its rounded silhouette stays simple and compact. Built in 3ds Max (.max) and shaded with V-Ray. Suits a modern kitchen, a co-working break area or a colour-blocked interior render.
A glossy white bell shade lined in hot magenta, the pink edge visible around the diffuser and through the looped cut-out handle. It hangs low on a thin suspension cable against a plain backdrop. Modeled in 3ds Max (.max) with V-Ray materials. Good for a salon, a children's play space or a retail vignette where a single coloured pendant sets the tone.
The same bell pendant in mirror-black with a bright blue lacquered interior and matching trim, the colour flashing through the handle cut-out at the top. The glossy skin picks up sharp studio reflections. Created in 3ds Max (.max) and rendered with V-Ray. A playful choice for a boutique changing area, a diner or a moodboard needing a pop of colour overhead.
A high-gloss white bell shade with a sculpted teardrop cut-out at the crown that doubles as a carry handle, hung on a slim cable. A dark trim ring circles the open bottom where the diffuser glows warm. Modeled in 3ds Max (.max) with V-Ray shading for the lacquered finish. Works over a kitchen bar, a cafe counter or a hallway as a single statement pendant.
A tall cylindrical drum hangs on three cables, its shell split between a ribbed black finish and a brushed metal strip, lighting downward from its base. Built in 3ds Max (.max) with V-Ray shading for contrasting ribbed and metallic surfaces. Suited for a dining room pendant over an island or table.
A round black disc pendant scatters small diamond-shaped LED tiles across its face in a confetti-like pattern, hung level on five thin cables. Modeled in 3ds Max (.max) with V-Ray shading for a glossy black disc and scattered light points. Fits a living room statement-lighting visualization.
A flat black tray pendant hangs on four cables, its underside set with a scattered grid of square LED panels for a striking geometric glow. Built in 3ds Max (.max) with V-Ray shading for a glossy black tray and evenly lit square panels. Suited for a dining room statement-pendant render.