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188 free minimalist 3D models for 3ds Max, ready to drop into your visualization scenes.
188 models · clear filters
A long white plate mounts flush to the ceiling and feeds four spots — some plain cylinders, one a perforated LED disc — that swivel to any angle. Modeled in 3ds Max (.max) with V-Ray materials. A tidy multi-point solution for kitchen, hallway or home-office ceilings.
A compact black cylinder on a rotating knuckle, shown both surface-mounted overhead and turned out from the wall to graze a warm pool of light downward. Modeled in 3ds Max (.max) with V-Ray. Works as a reading light, stair marker or picture wash in interior renders.
The smooth ellipsoid shell reads almost like a river pebble, with one recessed reflector eye set off-centre in the plaster-white body. Modeled in 3ds Max (.max) with V-Ray. A soft organic alternative to the boxy spot for bedroom or lounge ceilings.
Four squat white cylinders drop from a single ceiling plate on fine wires, each tilting head cradling a faceted reflector lamp at a slightly different angle. Created in 3ds Max (.max) with V-Ray. A sculptural cluster for double-height living rooms, stairwells or reception voids.
A slim white bar hangs on two thin cables and holds a pair of cylindrical spot heads that swivel on knuckle joints. The whole thing stays visually quiet against a pale ceiling. Modeled in 3ds Max (.max) with V-Ray shading. Suits kitchen island, dining or studio layouts that need directional fill from a single suspended line.
Slim triangular hoops lit along their inside edge, layered and rotated over a bright room, with a matching field of small triangular emitter tiles across the far ceiling. The angular outline gives a sharper alternative to round and square rings. Modeled in 3ds Max (.max) and shaded with V-Ray. Suited to offices, galleries and showrooms wanting a distinctive geometric ceiling in an architectural scene.
Open square hoops of slim profile, lit around their inner edge, hung flat and overlapping in white and black against a pale room. The empty centres let the ceiling show through while the outline draws a bright square of light. Built in 3ds Max (.max) with V-Ray materials. A graphic choice over reception areas, lounges and open offices in a contemporary render.
A shallow open rectangle of white-painted metal mounts to the wall and lights along its lower inside edge, shown three-up as a stacked column with loose wireframe forms behind. The frame casts light while barely reading as a fixture. Built in 3ds Max (.max) and rendered with V-Ray. A tidy accent for corridors, lobbies and stairwells in an architectural scene.
A continuous aluminium profile with a frosted lens runs the length of the room, broken by black junction blocks and turned down at one end into a wall return. A measured elevation drawing sits below the render. Built in 3ds Max (.max) with V-Ray shading. Good for continuous-row lighting in offices, retail and studios in an architectural render.
Two identical white batten fixtures with rounded frosted diffusers and small driver boxes, laid out on a pale surface. Nothing decorative here, just a tidy surface-mount channel of light. Created in 3ds Max (.max) with V-Ray materials. Fits utility spaces, garages, laundry rooms and corridor ceilings or walls in a practical interior scene.
A cylindrical bar pendant with a ribbed glass window running down its centre, offered in a warm champagne and a dark bronze finish over a concrete backdrop. The fluted lens softens the LED line into a textured band of light. Modeled in 3ds Max (.max) and rendered with V-Ray. A refined option above a dining table, bar counter or kitchen island in an interior render.
A kit of slim black linear segments that snap into rectangles, zigzags and free runs across both ceiling and wall, shown installed in a bare white room with a figure for scale. The system is about drawing lines of light rather than hanging a single fixture. Built in 3ds Max (.max) with V-Ray shading. Ideal for offices, showrooms and lobbies where a custom ceiling-and-wall light graphic is part of the design.
A flat brushed-aluminium blade with softly rounded ends sits proud of the wall on a low bracket, its underside a continuous warm glow. The dimension inset underlines how shallow the extrusion is. Built in 3ds Max (.max) and rendered with V-Ray. A clean choice for above artwork, headboards or reception signage in a contemporary interior scene.
A triangular aluminium profile mounts flush to the wall and tips its lit edge outward, laying a long even stripe of light along the surface. Both a face view and a raking angle show how thin the housing really is. Modeled in 3ds Max (.max) with V-Ray shading. Suited to corridors, stairwells and gallery walls where a discreet grazing light is needed in an architectural render.
Two slender aluminium cylinders hang on fine cables at a gentle offset, one face milled into a ribbed texture, the cut ends glowing softly. The look is quiet and technical, meant to float almost invisibly over a surface. Created in 3ds Max (.max) with V-Ray shading. Good over a kitchen island, meeting table or reception desk in a contemporary render.
A crisp aluminium channel with a wide frosted diffuser, canted slightly off the wall so the light rakes evenly along its length. Clean end caps and a low profile keep it discreet above a mirror. Modeled in 3ds Max (.max) and shaded with V-Ray. A straightforward pick for bathroom vanity lighting or a make-up station in an interior scene.
A plain white tubular batten with an integrated end switch and a slim frosted lens, shown in three lengths against a grey wall. It is the kind of no-nonsense strip that lives under a cabinet or along a shelf edge. Built in 3ds Max (.max) with V-Ray materials. Useful for kitchen under-counter lighting, workshop benches or utility rooms in a functional interior render.
A shallow square box in brushed aluminium and white tilts a recessed lens to wash light up and down the wall, shown as a single unit and a paired set. Modeled in 3ds Max (.max) and rendered with V-Ray using a brushed aluminium metal shader and a clear faceted lens. A crisp architectural accent for a hallway, staircase or living room wall in an interior render.
A long opal-white glass tube with rounded ends and small chrome caps mounts flat to the wall, an even diffuse strip for lighting a mirror. Modeled in 3ds Max (.max) and rendered with V-Ray with a polished chrome metal shader and a frosted opal glass diffuser. Sized for above or beside a bathroom vanity mirror in an interior render.
A shallow polished-chrome rectangular block angles slightly off the wall, its long underside slot glowing white, a discreet bathroom mirror light. Created in 3ds Max (.max) and rendered with V-Ray with a polished chrome metal shader and a frosted linear diffuser. Sized for above a vanity mirror or a modern bathroom wall in an interior render.
A small matte black cube holds a recessed spot with a warm brass-lined reflector, casting a tight beam and a soft halo across the wall around it. Modeled in 3ds Max (.max) and rendered with V-Ray, combining a matte black metal shader with a brushed brass reflector. A clean up-or-down accent for a modern entryway, gallery wall or living room in an interior render.
Two frosted opal cylinders lie horizontally on a small chrome bracket with a clear glass spacer between them, a clean twin-tube fixture for above a mirror. Created in 3ds Max (.max) with V-Ray shading for a modern bathroom interior render.
A horizontal frosted-glass cylinder with chrome end caps makes a compact mirror light, roughly 20 cm across. It is the plain, practical fixture you mount beside or above a bathroom mirror. Modeled in 3ds Max (.max) with V-Ray shading for a bathroom or washroom interior visualization.
Two silver-grey aluminium cylinders sit on a slim bar and pivot independently to aim their beams, one warm bulb glowing in the render. Simple, adjustable, gallery-like. Modeled in 3ds Max (.max) with V-Ray materials for accent lighting in a hallway or retail interior render.