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256 free industrial 3D models for 3ds Max, ready to drop into your visualization scenes.
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A longer version of the linear wall washer, a finned aluminium extrusion with a dozen recessed lenses and a mid-span mounting bracket. The angled face lets the beam be tilted up a wall or down over a sign. Modeled in 3ds Max (.max) with V-Ray materials. A staple for facade lighting, bridge and tunnel renders, or exterior feature-wall studies.
A short extruded bar fitted with a row of recessed round lenses and heavy heat-sink fins along the back, held on an adjustable wall bracket. Designed to rake light evenly across a facade or feature wall. Built in 3ds Max (.max) and shaded with V-Ray. Use it in exterior architectural renders, signage lighting or a landscape lighting scheme.
A thin suspended batten in raw aluminium with a frosted lens running its full length, hung from a single centre cable and a run of fine droppers. The look is stripped-back and utilitarian. Modeled in 3ds Max (.max) with V-Ray shading. Fits workshop, garage and back-of-house lighting renders as well as budget office fit-outs.
An aluminium continuous-row luminaire with twin lensed LED strips set into a structural trunking rail, complete with an end feed box. Modules like this clip together into long unbroken lines. Created in 3ds Max (.max) and rendered with V-Ray. Suited to supermarket aisles, warehouses and industrial-style office lighting visualizations.
A low-profile rectangular canopy luminaire with two angled LED panels either side of a central housing and bolt-on mounting brackets. Built for forecourts, warehouse aisles and covered loading bays. Created in 3ds Max (.max) and rendered with V-Ray. Suits an industrial exterior render, a fuel-station visualization or a logistics facility lighting plan.
A slim conical pendant in dark cast concrete, its lower end pinched and folded like softened clay so light leaks through the irregular gaps. A brushed-metal cap connects it to the drop cable. Created in 3ds Max (.max) and rendered with V-Ray for the pitted stone surface. Fits an industrial loft, a gallery corridor or a raw-material interior study.
The same carbon-weave cylinder turned on its side as a wall fixture, brushed-steel band facing out and a warm LED grazing the surface below. Short, chunky proportions read as deliberately industrial. Built in 3ds Max (.max) and shaded with V-Ray. Drop it into an entryway, a stairwell wall or an exterior facade render needing a compact up-and-down wall light.
A stubby cylindrical body wrapped in a diagonal carbon-fibre weave, split top to bottom by a single brushed-steel stripe. A recessed LED sits flush in the open base and throws a tight beam straight down. Modeled in 3ds Max (.max) with V-Ray materials for the woven texture and metal trim. Suits a loft kitchen island or a retail ceiling-mounted accent-lighting study.
A white open-frame cube hangs on four cables, cradling a round black floodlight-style spot head in its lower corner for a workshop-inspired look. Modeled in 3ds Max (.max) with V-Ray shading for a matte cube shell and glowing lens detail. Suited for a home office or studio pendant-lighting scene.
A single cylindrical spot head clips onto an overhead track rail, its matte black body angled downward for a focused, adjustable beam of light. Built in 3ds Max (.max) with V-Ray shading for a realistic brushed-metal track and glowing lens. Fits a retail display or gallery track-lighting scene.
A brushed aluminum dome shade hangs from a slim cable, its warm interior glow spilling from beneath the rim in a classic factory-style pendant form. Modeled in 3ds Max (.max) with V-Ray shading for realistic brushed-metal texture and interior light bounce. Well suited for a kitchen island or industrial-loft scene.
A perforated half-drum shade tilts atop a slender chrome pole, its mesh texture glowing warmly above a round floor base. Built in 3ds Max (.max) with V-Ray materials, suited to a loft living room or reading corner wanting an industrial-style task light.
A perforated metal cylinder glows from within, swung out on a curved chrome tube arm anchored to a round wall backplate. Modeled in 3ds Max (.max) with V-Ray shading, a fit for a workspace or loft wall wanting an industrial-style adjustable light.
The finned wall sconce returns in a dark charcoal-black finish, its slatted housing throwing a crisp band of light onto the wall below. Rendered in 3ds Max (.max) with V-Ray materials, suited to a moody hallway, bar, or exterior wall wanting a graphic strip of illumination.
Two blackened metal spot heads hang from curved gooseneck arms off a rectangular ceiling canopy, angled apart to throw light in different directions. Modeled in 3ds Max (.max) with V-Ray shading, suited to a kitchen island, workspace, or gallery corridor needing dual-direction task lighting.
A single cylindrical spot dangles from a coiled black cord anchored to a round ceiling canopy, its chrome collar the only bright accent against the matte-black housing. Modeled in 3ds Max (.max) with V-Ray shading, well suited to a loft or studio interior calling for a stage-light-inspired accent fixture.
Three round reflector heads angle outward from a compact central housing, each lamp swiveling on its own bracket to spread light across a broad area. Built in 3ds Max (.max) with V-Ray shading on the reflector lamps, this three-head floodlight fits an industrial or exterior facade render needing rugged, wide-coverage lighting.
Four round reflector heads spread from a central ceiling or wall block, each aimed independently for wide-area coverage from a single fixture. Modeled in 3ds Max (.max) and rendered with V-Ray, this multi-head floodlight suits a warehouse, garage, or exterior facade scene calling for strong, broad-throw work lighting.
Two large round reflector heads mount on a shared wall bracket, each pivoting independently to throw broad beams of light across a wide area. Built in 3ds Max (.max) with V-Ray shading on the reflector lamps, this twin-head floodlight suits an exterior facade or industrial-yard render needing bright, adjustable security lighting.
A compact spotlight head clips onto a taut steel suspension cable system, its rectangular chrome housing aiming a single downlight lamp from overhead. Modeled in 3ds Max (.max) with V-Ray shading, the fixture is built for a cable-lighting scene — an industrial loft or gallery ceiling render where fixtures need to appear clipped along a wire run.
Five chrome-and-amber glass spotlight heads hang at staggered lengths from a single square ceiling canopy, forming a directional cluster chandelier. Crafted in 3ds Max (.max) with V-Ray shading, suited to a dining room or kitchen island lighting visualization.
A single chrome spotlight head with an amber glass shade drops from a long slender cable and ceiling canopy, angled for focused downward light. Modeled in 3ds Max (.max) with V-Ray shading, ready for a dining table or reading nook lighting render.
Three chrome-and-amber glass spotlight heads swivel independently along a slim polished ceiling bar, each aimed to direct light where it's needed. Built in 3ds Max (.max) with V-Ray shading, suited to a kitchen island or hallway lighting visualization.
A chrome swivel ceiling spotlight houses a warm amber glass shade around its adjustable lamp head, mounted on a round polished base. Modeled in 3ds Max (.max) with V-Ray shading, ready for a hallway or kitchen accent lighting render.