Tag
542 free dining room 3D models for 3ds Max, ready to drop into your visualization scenes.
542 models · clear filters
Rounded pear-shaped glass shades hang in a neat line, their smoke, amber, grey, olive and purple tints deepening toward the base around a warm central lamp. Built in 3ds Max (.max) with V-Ray shading, the coordinated colours suit a dining bench, a hotel bar or a stair landing where repetition keeps the look calm.
A tall black bell shade with a stepped neck flares to a crisp white rim, hung on a short black cord from a domed canopy. Built in 3ds Max (.max) with V-Ray materials, this simple utilitarian pendant drops neatly over a dining table, a hallway or a home-office desk.
A broad glossy black band loops and folds on itself like a dropped ribbon, its inner face lined with rippled gold leaf that glows when lit. Created in 3ds Max (.max) with V-Ray materials, the piece hangs from fine cables and makes a bold centrepiece over a dining table or in a hotel lounge.
Open faceted cages built from slim bars form a rough dodecahedron around a single bare bulb, shown in light oak, dark oak and matte black. Created in 3ds Max (.max) with V-Ray materials, the trio throws a lively pattern of shadows and works well clustered over a dining table or spaced along a hallway.
Six wire-cage lamps holding amber Edison bulbs drop from a round canopy on black cords that swag through small pulleys, each weighted so the lamps hang at uneven heights. The rig looks salvaged from a factory floor. Modeled in 3ds Max (.max) with V-Ray. Suited to a dining room, loft or bar render that wants a sprawling, adjustable cluster with plenty of visible mechanical hardware.
Two black wood-slat pendants from one series: a tall narrow cone and a flattened UFO-shaped dome, both built from fine radial staves that let light spill between them. A matching ceiling cap is included. Modeled in 3ds Max (.max) with V-Ray. A fit for a dining room or hallway render where a pair of dark slatted shades in contrasting shapes creates a striped, graphic light pattern.
Glossy droplet pendants whose lower half is finished in a mirror chrome dip while the top stays a solid colour, so the fixture reflects the room back at itself. A row of small coloured drops sits beside one large black version. Modeled in 3ds Max (.max) with V-Ray materials. Works in a bar, dining or retail render that wants a shiny, jewel-like pendant with a strong metallic reflection.
Hand-blown clear glass shades in a plump teardrop shape, each holding a small exposed bulb on a white cord, shown as a large and a smaller drop. The thick glass distorts the filament into soft highlights. Built in 3ds Max (.max) and rendered with V-Ray. Suited to a dining room or kitchen render where a pair of transparent glass drops gives sparkle without blocking the view across the table.
Linear pendants cut from solid timber beams, one in pale sawn oak and one in dark oxidised wood, each with a recessed LED strip running along the underside. The raw block form and visible grain do the work. Modeled in 3ds Max (.max) with V-Ray shading. A good fit for a dining table, kitchen island or reception-desk render that wants a warm, chunky wooden light bar instead of a metal profile.
Three half-sphere pendants in ochre-gold, warm brown and black, each smooth outside and lined with the same crusted decorative relief that glitters when lit. Hung in a row, they suit a long table. Built in 3ds Max (.max) and rendered with V-Ray. A ready set for a dining room or restaurant visualization that needs coordinated pendants with a plain profile and an ornate reveal from beneath.
The all-white version of the shallow dome pendant: a smooth matte outer shell and an interior carved with a raised floral-and-scroll relief that catches the light of the lamps set into the centre. Modeled in 3ds Max (.max) with V-Ray. Suited to a bright dining room or entry render where a monochrome sculptural dome adds ceiling interest without introducing a strong colour.
A large shallow black dome, plain and matte on the outside, revealing an ornate white plaster-style relief of scrollwork and foliage moulded into the inner surface around a cluster of small lamps. Created in 3ds Max (.max) and shaded with V-Ray. Works in a dining room or lounge render that plays a minimalist exterior against a decorative, baroque-detailed interior when seen from below.
A white hemispherical shade upholstered in button-tufted, diamond-quilted leather-look panels studded with crystal buttons, finished with a bright polished rim and a clear diffuser underneath. Modeled in 3ds Max (.max) with V-Ray shading. A fit for a formal dining room, boutique or hotel-suite render that wants an upholstered, capitonne-style pendant with a soft downward glow.
A wide low pendant whose black shade is broken into angular facets like a cut stone, matte on the outside and dropping a single cord from a small square canopy. The low-poly geometry gives it a crystalline edge. Built in 3ds Max (.max) and rendered with V-Ray. Suited to a dining table or reception-desk render that needs a dark sculptural form with a strong faceted silhouette.
A near-spherical pendant made of pale birch slats stacked as horizontal rings around a central white socket, the gaps letting warm light rake outward. The natural wood tone keeps it soft and organic. Modeled in 3ds Max (.max) with V-Ray shading. A good match for a dining room or bedroom render that wants a light, handmade Nordic fixture casting a gentle ringed shadow.
A low black metal drum whose outer band overlaps itself like a folded ribbon, closed at the base by a textured frosted diffuser that spreads the light of the twin lamps inside evenly downward. Modeled in 3ds Max (.max) with V-Ray shading. Suited to a dining area or meeting-room render that needs a compact, glare-free drum with a bit of sculptural detail on the rim.
A large gloss-black circular ring suspended flat, with a downward-facing LED strip running the full inner edge so the light reads as a floating halo. A smaller matching ring hangs alongside from the same canopy. Modeled in 3ds Max (.max) with V-Ray. Ideal for a dining room or entry render that calls for a clean, sculptural light source and a strong circular reflection on a glossy table below.
A grouped set of conical and trapezoid shades in chalky white and matte black, several lined with a golden-yellow interior that warms the downlight. The mixed shapes hang at different drops for a layered composition. Created in 3ds Max (.max) and shaded with V-Ray. Works well over a long dining table or in a double-height stairwell render where a staggered pendant cluster fills vertical space.
Three flat hexagonal frames in white, brushed gold and matte black, each rimmed with a continuous LED channel and clustered at staggered heights on thin suspension wires. The overlapping outlines make a light, geometric centrepiece. Built in 3ds Max (.max) and rendered with V-Ray. A good fit for a dining table or open-plan lounge visualization that needs a contemporary linear-light statement without a bulky shade.
A matte black trumpet shade opens downward onto a faceted clear-glass bowl, the cut prisms of the glass catching the light and throwing it around in bright chips. Three hang at mixed heights, some inverted so the glass points up. Built in 3ds Max (.max) and rendered with V-Ray. A refined grouping for a dining table, a stairwell, or a hotel bar.
A wide drum is built from close-set vertical slats in dark stained wood, wrapping a plain white inner diffuser so the light escapes in fine warm stripes and a soft glow spills from the open base. Slim cables carry it from a small round canopy. Modeled in 3ds Max (.max) with V-Ray materials. A warm, textural fixture over a dining table, a kitchen island, or a lodge-style lounge.
Three reflective spheres hang at different drops — a mirror-smoked globe, a larger ball sliced into horizontal louvred bands, and a small solid chrome orb. The finishes range from fully mirrored to softly tinted glass. Built in 3ds Max (.max) and rendered with V-Ray. A polished grouping over a dining table, a console, or a stair.
Two crystalline shapes hang side by side — one a solid mirror-copper shade cut into sharp facets, the other an open copper wire cage of the same geometry framing a spiral filament bulb. Together they show the design closed and skeletal. Modeled in 3ds Max (.max) with V-Ray materials. A warm retro accent over a kitchen island, a dining table, or a bar.
Slim brushed-brass edges trace a faceted polyhedron, part icosahedron, part cut gem, with a single filament bulb hanging on a plain socket at its centre. The open frame casts a scatter of angular shadows onto the ceiling. Modeled in 3ds Max (.max) with V-Ray materials. A warm metallic accent over a dining table, an entry, or a reading corner.