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Download 1228 free lighting 3D models for 3ds Max — ready-to-use assets for interior visualization and architectural rendering, most set up for V-Ray or Corona. Free for commercial and personal projects.
1228 models · clear filters
Rounded-square slab pendants grouped and stacked at different levels, white bodies with a couple in dark grey, their soft-edged faces glowing evenly. The family scales from a single tile to a linked cluster. Built in 3ds Max (.max) with V-Ray shading. Suited to offices, meeting rooms and retail floors in an architectural visualization.
Circular slab pendants in a range of diameters, mostly white with one charcoal, dropped at staggered heights in a bright showroom. The flat lit face and shallow rim keep each one looking like a floating coin of light. Modeled in 3ds Max (.max) and rendered with V-Ray. Cluster them over a reception desk, lounge or open office in a commercial render.
A floating assortment of contemporary luminaires: round disc panels, square trays, ring lights and slim cylinders, some chrome-rimmed, all suspended on fine cables. A ready-made kit for dressing a whole ceiling scheme. Built in 3ds Max (.max) with V-Ray materials. Useful for offices, retail and residential renders that need a coordinated set of modern fittings.
A sealed industrial batten with a milky polycarbonate tube diffuser and grey end caps clamped down over a gasket. It is the rugged fitting used where dust and damp rule out anything decorative. Modeled in 3ds Max (.max) and shaded with V-Ray. Fits garages, car parks, warehouses and service corridors in a technical visualization.
A shallow open rectangle of white-painted metal mounts to the wall and lights along its lower inside edge, shown three-up as a stacked column with loose wireframe forms behind. The frame casts light while barely reading as a fixture. Built in 3ds Max (.max) and rendered with V-Ray. A tidy accent for corridors, lobbies and stairwells in an architectural scene.
A long aluminium blade that swells from a thin tip to a broad tail, its underside set with rectangular frosted emitters, hung on cables with a matching wall-mounted version alongside. The aerofoil shape gives an otherwise technical fitting some movement. Modeled in 3ds Max (.max) with V-Ray shading. Suited to open offices, studios and meeting spaces in a workplace render.
A spread of matte-black bar pendants in assorted lengths and sections, some square-ended, some slim blades, all hanging on thin drops with their lower faces lit. The set is meant to be mixed and matched across a space. Modeled in 3ds Max (.max) and rendered with V-Ray. Useful over kitchen islands, workstations and long tables in a contemporary interior scene.
A continuous aluminium profile with a frosted lens runs the length of the room, broken by black junction blocks and turned down at one end into a wall return. A measured elevation drawing sits below the render. Built in 3ds Max (.max) with V-Ray shading. Good for continuous-row lighting in offices, retail and studios in an architectural render.
A wide rectangular tray suspended on four cables, its base a patchwork of frosted emitters and dark ventilation grilles with a central control module. It reads as a serious architectural fitting built to light a big floorplate. Modeled in 3ds Max (.max) and shaded with V-Ray. Suited to open offices, conference rooms and reception halls in a commercial visualization.
Two identical white batten fixtures with rounded frosted diffusers and small driver boxes, laid out on a pale surface. Nothing decorative here, just a tidy surface-mount channel of light. Created in 3ds Max (.max) with V-Ray materials. Fits utility spaces, garages, laundry rooms and corridor ceilings or walls in a practical interior scene.
A cylindrical bar pendant with a ribbed glass window running down its centre, offered in a warm champagne and a dark bronze finish over a concrete backdrop. The fluted lens softens the LED line into a textured band of light. Modeled in 3ds Max (.max) and rendered with V-Ray. A refined option above a dining table, bar counter or kitchen island in an interior render.
A kit of slim black linear segments that snap into rectangles, zigzags and free runs across both ceiling and wall, shown installed in a bare white room with a figure for scale. The system is about drawing lines of light rather than hanging a single fixture. Built in 3ds Max (.max) with V-Ray shading. Ideal for offices, showrooms and lobbies where a custom ceiling-and-wall light graphic is part of the design.
A long dark-grey box pendant hangs on two thin cables, its underside filled with a fine louvre grille that tames the glare. The proportions are drawn straight from open-plan office ceilings. Modeled in 3ds Max (.max) and shaded with V-Ray. Line several up over desks or a boardroom table in a workplace render.
A wedge-shaped aluminium housing carries a broad frosted diffuser on its lower face, cantilevered off the wall on a short arm. Visible fixing screws and a ribbed heat-sink edge give it a mildly technical character. Created in 3ds Max (.max) with V-Ray materials. Works as accent or task lighting in offices, hallways and living spaces within an interior visualization.
A flat brushed-aluminium blade with softly rounded ends sits proud of the wall on a low bracket, its underside a continuous warm glow. The dimension inset underlines how shallow the extrusion is. Built in 3ds Max (.max) and rendered with V-Ray. A clean choice for above artwork, headboards or reception signage in a contemporary interior scene.
A triangular aluminium profile mounts flush to the wall and tips its lit edge outward, laying a long even stripe of light along the surface. Both a face view and a raking angle show how thin the housing really is. Modeled in 3ds Max (.max) with V-Ray shading. Suited to corridors, stairwells and gallery walls where a discreet grazing light is needed in an architectural render.
A square recessed troffer with polished parabolic louvre blades, shown open beside its blank closure panel. The mirrored slats break the glare into a controlled grid, the classic office ceiling workhorse. Modeled in 3ds Max (.max) and rendered with V-Ray. Drop it into a suspended-ceiling grid for offices, clinics or classrooms in an architectural visualization.
Two slender aluminium cylinders hang on fine cables at a gentle offset, one face milled into a ribbed texture, the cut ends glowing softly. The look is quiet and technical, meant to float almost invisibly over a surface. Created in 3ds Max (.max) with V-Ray shading. Good over a kitchen island, meeting table or reception desk in a contemporary render.
A crisp aluminium channel with a wide frosted diffuser, canted slightly off the wall so the light rakes evenly along its length. Clean end caps and a low profile keep it discreet above a mirror. Modeled in 3ds Max (.max) and shaded with V-Ray. A straightforward pick for bathroom vanity lighting or a make-up station in an interior scene.
A plain white tubular batten with an integrated end switch and a slim frosted lens, shown in three lengths against a grey wall. It is the kind of no-nonsense strip that lives under a cabinet or along a shelf edge. Built in 3ds Max (.max) with V-Ray materials. Useful for kitchen under-counter lighting, workshop benches or utility rooms in a functional interior render.
A soft half-dome of pleated fabric flares into scalloped petals, its surface printed with a fine paisley lace pattern that glows when lit from within. The shape is decorative and feminine, casting a diffuse wash across the wall. Modeled in 3ds Max (.max) and rendered with V-Ray using a translucent textile shader. Suits a boutique, bedroom or lounge scene that calls for a sculptural textile fixture.
A family of matte-black task sconces in the classic French workshop idiom: knuckle-jointed arms in short and long spans, each ending in a small rounded reflector shade on a ball-and-socket head. The line-up shows fixed-plate and long-reach cable versions side by side. Modeled in 3ds Max (.max) with V-Ray shading. A dependable choice for bedside, gallery-wall or studio lighting in an interior render.
A long jointed black arm with a counterweight swings a glossy domed shade out from a disc wall mount, the exposed cable looping loosely against a bolted concrete panel. Every pivot reads as adjustable, built for aiming a pool of light exactly where it is wanted. Created in 3ds Max (.max) and shaded with V-Ray. Works over a desk, workbench or reading nook in a home-office or loft render.
Two frosted white cones meet at a slim brushed-nickel waist, throwing light both up and down from a round wall plate. The hourglass silhouette is pure mid-century, compact enough to flank a mirror or headboard in pairs. Modeled in 3ds Max (.max) with V-Ray materials for the opal glass and satin metal. Handy for a bedroom, hallway or retro living-room scene that needs a balanced accent light.