Software
Download 1228 free lighting 3D models for 3ds Max — ready-to-use assets for interior visualization and architectural rendering, most set up for V-Ray or Corona. Free for commercial and personal projects.
1228 models · clear filters
Three cylindrical shades strung with faceted crystal beads hang in a row from a polished chrome bar, each glowing softly from within. Rendered in 3ds Max (.max) with V-Ray materials, well suited to a dining table or kitchen island wanting a touch of sparkle overhead.
Three round AR111 lamps sit flush in a slim black rectangular housing, each independently aimable within its own recessed cup. Modeled in 3ds Max (.max) with V-Ray shading, suited to a retail ceiling grid or gallery run needing a tidy row of accent spots.
Frosted white glass sits in front of a perforated metal insert, framed by a clear glass pane with two dark mounting studs. Built in 3ds Max (.max) with V-Ray materials, a fit for a hallway or bathroom wall wanting an even glow behind textured glass.
A layered glass-and-chrome frame steps down to a frosted square diffuser, its soft central glow framed by a slim clear-glass border. Modeled in 3ds Max (.max) with V-Ray shading, suited to a bedroom or hallway ceiling wanting an even, glare-free wash of light.
A boxy white housing is cut with slatted vents on two faces, the recessed lamp glowing through the gaps at both the top and bottom edges. Built in 3ds Max (.max) with V-Ray materials, suited to a modern hallway or bathroom ceiling wanting a compact, architectural downlight.
A plain black cylinder with two shallow ring grooves sits flush to the ceiling, its recessed reflector aimed straight down for a clean pool of light. Modeled in 3ds Max (.max) with V-Ray shading, an easy drop-in for a corridor or retail ceiling grid needing an unobtrusive downlight.
The finned wall sconce returns in a dark charcoal-black finish, its slatted housing throwing a crisp band of light onto the wall below. Rendered in 3ds Max (.max) with V-Ray materials, suited to a moody hallway, bar, or exterior wall wanting a graphic strip of illumination.
Slim horizontal fins wrap a boxy white housing, hiding an up-and-down LED strip that spills light along the wall above and below the fixture. Modeled in 3ds Max (.max) with V-Ray shading, a natural fit for a hallway, staircase, or exterior facade wanting a linear wash of light.
The twin-gooseneck spotlight returns in gloss white with chrome collars, its curved arms letting each head swivel toward a different target. Built in 3ds Max (.max) with V-Ray materials, at home over a bright kitchen counter or reading nook needing two independent beams.
Two blackened metal spot heads hang from curved gooseneck arms off a rectangular ceiling canopy, angled apart to throw light in different directions. Modeled in 3ds Max (.max) with V-Ray shading, suited to a kitchen island, workspace, or gallery corridor needing dual-direction task lighting.
The same cord-hung spotlight silhouette reappears in gloss white, its chrome ring collar standing out against the pale housing and cable. Rendered in 3ds Max (.max) with V-Ray materials, a fit for a nursery, studio, or minimalist living space wanting a soft directional accent.
A single cylindrical spot dangles from a coiled black cord anchored to a round ceiling canopy, its chrome collar the only bright accent against the matte-black housing. Modeled in 3ds Max (.max) with V-Ray shading, well suited to a loft or studio interior calling for a stage-light-inspired accent fixture.
A slim nickel bar carries two large adjustable spotlight heads, their swivel joints and reflector cups fully articulated for aiming. A third dormant mount sits at one end for expansion. Built in 3ds Max (.max) with V-Ray materials, suited to a track-lighting run over a kitchen island or gallery wall where directional accent light is needed.
Three swivel-mounted lamp heads radiate from a brushed-nickel cylinder, each aimed independently for layered accent lighting. Coiled cable runs and exposed connectors give the fixture a technical, gallery-track look. Modeled in 3ds Max (.max) with V-Ray shading, ready for retail or exhibition lighting schemes where multiple beams need to hit different display points.
Three round reflector heads angle outward from a compact central housing, each lamp swiveling on its own bracket to spread light across a broad area. Built in 3ds Max (.max) with V-Ray shading on the reflector lamps, this three-head floodlight fits an industrial or exterior facade render needing rugged, wide-coverage lighting.
Four round reflector heads spread from a central ceiling or wall block, each aimed independently for wide-area coverage from a single fixture. Modeled in 3ds Max (.max) and rendered with V-Ray, this multi-head floodlight suits a warehouse, garage, or exterior facade scene calling for strong, broad-throw work lighting.
Two large round reflector heads mount on a shared wall bracket, each pivoting independently to throw broad beams of light across a wide area. Built in 3ds Max (.max) with V-Ray shading on the reflector lamps, this twin-head floodlight suits an exterior facade or industrial-yard render needing bright, adjustable security lighting.
A wide angular fabric shade sits atop a slender red ribbed-glass stem, the pairing balanced on a slim stand for a floor lamp with a warm, glowing accent at its base. Modeled in 3ds Max (.max) with V-Ray shading on the glass stem and fabric shade, it suits a living room or lounge visualization wanting a lamp with a distinctive colour detail.
The same tapered ribbed red-glass shade turns wall-mounted here, angled diagonally off a slim chrome arm fixed to a round backplate. Built in 3ds Max (.max) with V-Ray shading on the glass, it brings a matching accent piece to a bar, corridor, or bedroom render alongside its pendant counterpart.
A tall tapered cylinder of ribbed red glass hangs from a looping cable and round ceiling canopy, glowing warmly along its fluted surface. Modeled in 3ds Max (.max) with V-Ray shading on the coloured glass, this single pendant adds a bold accent to a dining or bar-area render needing a splash of saturated colour.
A rounded clear-glass dome sits inside a chrome recessed housing, its faceted lens bending light around a central halogen lamp. Built in 3ds Max (.max) with V-Ray shading on the glass and chrome trim, this downlight fits neatly into a ceiling plan for any general interior render needing a decorative recessed fixture.
Rectangular panels strung with beaded crystal fold into a tall zigzag column, suspended from a long rectangular ceiling plate fitted with multiple lamps. Modeled in 3ds Max (.max) and rendered with V-Ray, this statement chandelier suits a lobby or staircase visualization calling for a bold vertical lighting feature.
Two dense spheres of faceted crystal drops hang one below the other from a shared round ceiling plate, each strand catching light across hundreds of tiny facets. Built in 3ds Max (.max) with V-Ray shading on the crystal, this chandelier is well suited to a stairwell or grand foyer render needing a tall, layered centerpiece fixture.
Rows of crystal beads cascade from a round perforated ceiling plate, curving into a graceful S-shaped spiral as the strands descend to different lengths. Modeled in 3ds Max (.max) and rendered with V-Ray, this cascading chandelier suits a stairwell or double-height foyer visualization needing a dramatic, elongated hanging fixture.