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Download 1228 free lighting 3D models for 3ds Max — ready-to-use assets for interior visualization and architectural rendering, most set up for V-Ray or Corona. Free for commercial and personal projects.
1228 models · clear filters
Curvy blown-glass drops in smoke, amber and violet hang tightly bunched from a single round canopy, each shade pinched and rippled so the light pools unevenly. Built in 3ds Max (.max) with V-Ray materials, the compact cluster suits a bedside grouping, an entry hall or a coffee-table view where a jewel-like knot of colour reads well.
Round canopies gather several tinted glass drops at different heights, mixing teardrop, pear and cone shades in smoke, amber, olive and violet for a bubbling composition. Modeled in 3ds Max (.max) with V-Ray shading, the clusters make a warm focal point over a round dining table or in a stairwell that can take a three-dimensional arrangement.
A run of softly conical glass shades with flared curved rims, tinted smoke, amber, clear, olive and violet, each holding a slim vertical lamp. Created in 3ds Max (.max) with V-Ray materials, the flexible set drops over a kitchen island or a communal table and mixes freely with the matching pear and teardrop shapes.
Rounded pear-shaped glass shades hang in a neat line, their smoke, amber, grey, olive and purple tints deepening toward the base around a warm central lamp. Built in 3ds Max (.max) with V-Ray shading, the coordinated colours suit a dining bench, a hotel bar or a stair landing where repetition keeps the look calm.
Five asymmetric glass teardrops lean off-axis on chrome canopies, tinted smoke, amber, grey, olive and violet with a slim frosted lamp glowing inside each. Modeled in 3ds Max (.max) with V-Ray materials, the coloured set is easy to mix along a kitchen island or a reception desk where a soft band of colour is wanted.
An enlarged decorative bulb hangs on a bare wire, its lower half silvered like a chrome-dipped mirror while the top reads as clear glass and a screw base. Created in 3ds Max (.max) with V-Ray shading, the single oversized shape is a witty accent for a retail fitting room, a dressing table or an entry hall.
A line of bare globe bulbs hangs from chunky silicone lamp holders in red, black, white, yellow, teal and brass against a raw concrete wall. Modeled in 3ds Max (.max) with V-Ray materials, the playful budget-style pendants are made to be grouped over a bar, a cafe counter or a kids' playroom.
A single elongated teardrop shade in high-gloss black narrows to a slim stem, its lacquered surface catching long window reflections. Built in 3ds Max (.max) with V-Ray shading, the quiet sculptural drop suits a bedside, a reading nook or a row over a kitchen island where a subtle silhouette is wanted.
Slim arms radiate from a central hub, each holding an adjustable black cylinder spot with a warm brass-lined mouth so the light can be aimed in every direction. Created in 3ds Max (.max) with V-Ray materials, the piece brings a graphic, directional quality to a living room, a gallery wall or an open dining space.
Layered panels of frosted, wave-textured glass wrap a chrome frame to form a low round ceiling light, the overlapping leaves softening the glow across the whole drum. Modeled in 3ds Max (.max) with V-Ray shading, this flush-mount fixture is a comfortable choice for a bedroom, a hallway or a living room with limited ceiling height.
A tall black bell shade with a stepped neck flares to a crisp white rim, hung on a short black cord from a domed canopy. Built in 3ds Max (.max) with V-Ray materials, this simple utilitarian pendant drops neatly over a dining table, a hallway or a home-office desk.
Spun aluminium domes with a soft satin sheen hang beside a slim glass cylinder light, the group mixing bowl and tube shapes from one family. Modeled in 3ds Max (.max) with V-Ray shading, the warm metallic finish suits a retro kitchen, a diner booth or a studio corner that wants a touch of workshop character.
A broad glossy black band loops and folds on itself like a dropped ribbon, its inner face lined with rippled gold leaf that glows when lit. Created in 3ds Max (.max) with V-Ray materials, the piece hangs from fine cables and makes a bold centrepiece over a dining table or in a hotel lounge.
A rough sawn timber beam is slung horizontally on bright red lifting straps and shackles, with a slim LED channel tucked along its underside for a warm downward wash. Modeled in 3ds Max (.max) with V-Ray shading, this raw loft-style linear fixture is made for a long kitchen island, a communal work table or a bar counter in an industrial fit-out.
Irregular molten blobs of mirrored glass catch the light in gold, copper and chrome, each pendant looking half-collapsed as if caught mid-pour. Built in 3ds Max (.max) with V-Ray materials, the reflective shapes distort their surroundings for a sculptural focal point over a bar, a console or a bedside.
Thin vertical rods drop at staggered lengths from a circular canopy, each tipped with a tiny point of light so the whole piece reads like falling rain. Modeled in 3ds Max (.max) with V-Ray shading, the model also includes mesh-wrapped cylinder downlights from the same range. It suits a double-height stairwell or a lobby void where a tall vertical composition can breathe.
Open faceted cages built from slim bars form a rough dodecahedron around a single bare bulb, shown in light oak, dark oak and matte black. Created in 3ds Max (.max) with V-Ray materials, the trio throws a lively pattern of shadows and works well clustered over a dining table or spaced along a hallway.
The classic enamelled factory shade gets a high-gloss black finish here, its deep dome flaring to a bright white underside on a simple black cord and canopy. Modeled in 3ds Max (.max) with V-Ray shading, it is an easy workhorse for a loft kitchen, a cafe counter or a workshop bench where one honest shape does the job.
A coordinated lighting family fills this bright room: soft-cornered rectangular LED panels hang low over the floor while matching oval sconces climb one wall. Built in 3ds Max (.max) with V-Ray materials, the set suits an open-plan office or reception area where suspended and wall-mounted fixtures need to read as one system. Frames come in white and graphite.
Three needle-thin cone pendants taper to a fine point above a small glowing lens, shown in polished copper with a burgundy collar, mirror chrome, and matte black. Modeled in 3ds Max (.max) with V-Ray shading and ready to drop in over a kitchen island or a stairwell. The trio lets you mix finishes or repeat one along a run for a clean, linear rhythm.
A big soft drum wrapped in taupe woven fabric, closed underneath by a finely pleated white diffuser ring that glows evenly. Slim wires from a chrome cap keep the wide shade level. Built in 3ds Max (.max) and shaded with V-Ray. A fit for a living room, bedroom or hotel-lobby render that needs a large, quiet ceiling fixture giving broad ambient light.
Six wire-cage lamps holding amber Edison bulbs drop from a round canopy on black cords that swag through small pulleys, each weighted so the lamps hang at uneven heights. The rig looks salvaged from a factory floor. Modeled in 3ds Max (.max) with V-Ray. Suited to a dining room, loft or bar render that wants a sprawling, adjustable cluster with plenty of visible mechanical hardware.
Hexagonal ring pendants made from a slim aluminium LED profile, clustered three at a time in white, grey and black at staggered drops. The bright edge-lit outlines suit a large open ceiling. Created in 3ds Max (.max) and rendered with V-Ray. Built for a home office, meeting room or showroom render that needs a scalable geometric light layout with a clean architectural feel.
A set of linear suspended lights: a white cylindrical LED tube with rounded ends alongside slim rectangular bar profiles in red, magenta and orange, all hung from thin cables at slight angles. Modeled in 3ds Max (.max) with V-Ray shading. A quick option for a home office, studio or open-plan render that needs coordinated linear fixtures with a shot of colour over desks or a counter.