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Download 1228 free lighting 3D models for 3ds Max — ready-to-use assets for interior visualization and architectural rendering, most set up for V-Ray or Corona. Free for commercial and personal projects.
1228 models · clear filters
Two aged-brass swan-neck arms cross low over a small round backplate and sweep up to a pair of tapered white glass cone shades set over candle sleeves, with a pull cord at one side. Created in 3ds Max (.max) and rendered with V-Ray using an aged-brass shader and a soft white glass material. Suited to a transitional living room, dining room or hallway wall in an interior render.
A pierced and scrolled oval backplate in antique brass carries a single curled arm and an upturned fluted opal-glass bell shade, with a small pull switch hanging below. Modeled in 3ds Max (.max) with V-Ray shading, an antique-brass metal shader and a frosted opal-glass material. Built for a classic hallway, stair landing or bedroom wall in an interior render.
A curved brushed-nickel arm off a round backplate holds a small frosted white glass cylinder wrapped in an outer sheet of clear glass, giving a soft diffused light with a crisp edge. Created in 3ds Max (.max) and rendered with V-Ray using brushed-nickel, clear-glass and frosted-glass shaders. Suited to a bathroom mirror, bedside or hallway wall in a modern interior render.
A tapered four-sided coach lantern in an antique gold-brown finish, its textured glass panels marked with amber oval medallions, sits on a scrolled under-bracket and is topped by a pointed spire finial. Modeled in 3ds Max (.max) with V-Ray shading, antiqued-metal and textured amber-glass materials. Built for a house facade, gateway or garden wall in an exterior render.
An aged pale-zinc finish covers this urn-shaped lantern, its clear seeded-glass panels held in a slender ribbed cage below a scroll top arm, with twin candelabra lamps and a turned drop finial. Created in 3ds Max (.max) and rendered with V-Ray using a weathered zinc shader and seeded-glass material. Suited to a front door, courtyard or terrace wall in an exterior render.
A large curled scroll arm in dark bronze carries a tapered lantern of amber seeded glass wrapped with applied metal reeds and leaves, hung from a pierced decorative backplate with a small finial below. Modeled in 3ds Max (.max) with V-Ray shading, weathered-bronze metal and amber cathedral-glass materials. Built for a porch, front entrance or garden wall in an exterior render.
A fluted round backplate and an ornate scroll arm in brass hold an oval loop frame that cradles a cylinder shade decorated with a small painted floral transfer and a fluted end cap. Created in 3ds Max (.max) and rendered with V-Ray using a warm polished-brass shader. Suited to lighting a classical painting or gilt mirror in a period sitting room, hall or study render.
Shown as a facing pair, this fitting is a slim aged-bronze tube with an LED channel along its face, carried on a single short strut off a small textured rectangular backplate. Modeled in 3ds Max (.max) with V-Ray shading, an aged-bronze metal shader and an emissive LED strip. Built to light framed art or a headboard wall in a transitional bedroom, hall or study render.
A cast rosette backplate and a curled scroll arm in antique brass support a trough shade edged with a beaded border and centred with a foliate medallion, a heavily traditional picture light. Created in 3ds Max (.max) and rendered with V-Ray using an antique-brass metal shader with cast relief detail. Suited to a portrait, mirror or tapestry wall in a classic library, hall or dining room render.
A slim satin-nickel tube is held below a thin wire arch that rises from a small rectangular backplate fitted with a rocker switch, stripping the picture light back to its bare essentials. Modeled in 3ds Max (.max) with V-Ray shading and a satin-nickel shader. Built for a minimalist hallway, gallery wall or living room where the fitting should almost disappear in a render.
A brushed-steel block backplate sends up two thin swing arms to a slim tubular bar shade with capped rounded ends, the whole fitting kept plain and low-profile. Created in 3ds Max (.max) and rendered with V-Ray using a brushed-steel shader. Suited to lighting artwork, a pinboard or a shelf in a contemporary home-office, hallway or living room render.
A small ribbed square backplate in polished nickel carries a single ball-jointed arm and a mirror-finish cylinder shade with softly rounded ends, a compact traditional over-picture fitting. Modeled in 3ds Max (.max) with V-Ray shading and a polished-nickel metal shader. Built to light a small framed painting, print or mirror in a classic hallway, study or bedroom render.
About 51 cm across, this fitting is just a thin polished-chrome tube held a little off the wall on two angled struts from a small rectangular plate, throwing a narrow line of light onto the picture below. Created in 3ds Max (.max) and rendered with V-Ray using a polished-chrome shader. Suited to lighting framed art or a mirror in a minimalist hallway, living room or gallery render.
A pair of compact chrome fittings: a short bar with two recessed LED spots on a folded chrome bracket, and a slim linear LED bar that glows warm along its lower face from an angular chrome mount. Modeled in 3ds Max (.max) with V-Ray shading, polished-chrome and emissive-diffuser materials. Built for a bathroom cabinet, dressing mirror or display shelf in a modern render.
Two tall polished-chrome arches spring from a flat rectangular bar to a reeded chrome cylinder shade with a frosted glass window at its centre casting a soft even glow. Created in 3ds Max (.max) and rendered with V-Ray using polished-chrome and frosted-glass shaders. Suited to lighting a large mirror, canvas or headboard wall in a contemporary bedroom or hall render.
Everything here is squared off: a rectangular block backplate, a straight arm on exposed slotted-screw pivots and a wedge-profile brushed-nickel shade, shown open and in close detail. Modeled in 3ds Max (.max) with V-Ray shading and a brushed-nickel metal shader. Built for a contemporary gallery wall, hallway or office where a hard-edged picture light suits the scheme in a render.
Two brass fittings on one backplate style: a rounded-end cylinder picture light on twin bracket arms, and a smaller stepped bracket carrying a pivoting half-round spot shade with a thumbscrew. Created in 3ds Max (.max) and rendered with V-Ray using a warm polished-brass shader. Suited to lighting artwork, a bookcase or an alcove in a classic library, hallway or gallery render.
A moulded stepped backplate in brushed nickel carries two short knobbed arms holding an angular trough shade, its faceted underside open to wash light down over a picture. Modeled in 3ds Max (.max) with V-Ray shading and a brushed-nickel metal shader. Built for a traditional study, stair wall or dining room where a framed painting needs even lighting in a render.
Shown from several angles, this fitting pairs a plain rectangular backplate with a single hinged arm and a brushed-nickel cylinder shade housing a slim LED strip along its underside. Created in 3ds Max (.max) and rendered with V-Ray using a brushed-nickel shader and an emissive strip. Suited to lighting framed art, a mirror or a shelf in a contemporary interior render.
A long braided chrome gooseneck arcs out of a small square wall block to a stepped cylinder spot head, letting the beam be aimed at a book, headboard or artwork. Modeled in 3ds Max (.max) with V-Ray shading and polished-chrome materials. Built for a bedside wall, reading nook or home-office render where a directional accent light is wanted.
Scaled up for a large canvas, a long antique-bronze cylinder shade with a central foliate casting hangs on two S-curved arms from a plain rectangular wall bar, finished with acorn end caps. Created in 3ds Max (.max) and rendered with V-Ray using an antique-bronze metal shader. Suited to lighting a wide painting or mural in a classic hall, gallery or hotel corridor render.
A round backplate cast with a raised bird-and-foliage medallion carries an antique-bronze gooseneck and a plain cylinder shade centred with a small floral relief and turned acorn finials. Modeled in 3ds Max (.max) with V-Ray shading, antique-bronze metal and moulded-relief materials. Built as a two-lamp over-picture light for a classic hallway, study or panelled dining room render.
The wider two-lamp version of the medallion picture light: the same round moulded-gypsum backplate and antique-bronze gooseneck, now with a longer cylinder shade carrying a central floral casting. Created in 3ds Max (.max) and rendered with V-Ray using antique-bronze metal and moulded-plaster shaders. Suited to lighting a large canvas or panelled wall in a classic hall or library render.
A round backplate cast as a patterned gypsum medallion carries an antique-bronze gooseneck and a slim cylinder shade with a small cast floral relief and turned acorn end finials. Modeled in 3ds Max (.max) with V-Ray shading, antique-bronze metal and moulded-plaster materials. Built as a single-lamp over-picture light for a classic hallway, study or bedroom render.