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Download 1217 free lighting 3D models for 3ds Max — ready-to-use assets for interior visualization and architectural rendering, most set up for V-Ray or Corona. Free for commercial and personal projects.
1217 models · clear filters
A wide round chandelier stacked in five shrinking tiers of clear glass rods on a polished chrome frame, each ring catching light and layering reflections toward a bright core. Created in 3ds Max (.max) and rendered with V-Ray for the crystal and mirror-chrome. A showpiece for a double-height foyer, a ballroom or a luxury lobby render.
A long rectangular chandelier with two tiers of smoked glass rods hanging as a dense fringe from a slim canopy, lit by a row of concealed lamps and suspended on delicate chains. Modeled in 3ds Max (.max) with V-Ray shading for the tinted crystal. Sized for a dining table, a bar back or a hotel lobby lighting render.
A compact drum chandelier ringed with chunky faceted glass prisms held in a dark nickel cage, exposed filament lamps glowing at the centre and a matching chain feed above. Built in 3ds Max (.max) and rendered with V-Ray for the heavy crystal and gunmetal metalwork. Works over a dining table, a kitchen island or in a contemporary-glam interior render.
A tall teardrop-shaped chandelier caged in beaded crystal chains over an antique bronze frame, with a crystal ball finial at the top and a pointed drop below. Concealed lamps light the beadwork from within. Modeled in 3ds Max (.max) with V-Ray shading for the cut crystal and aged brass. A period piece for a stairwell, formal foyer or classic dining room render.
A cascading chandelier built from interlocking faux antlers in a weathered bone finish, with six candle-style lamps perched on the lower tines and a matching antler stem climbing to the chain. Created in 3ds Max (.max) and rendered with V-Ray for the aged horn texture. Suits a lodge great room, a rustic dining hall or a cabin interior render.
A grey cylindrical spotlight head on a pivoting yoke, clipped to a slim recessed track section with its adapter clearly modelled. The head swings and spins to aim a tight warm beam. Modeled in 3ds Max (.max) with V-Ray materials. Ideal for retail interiors, gallery lighting and open-plan spaces built around track systems.
A round recessed downlight with a deep white scoop that tilts and rotates well past vertical, exposing a honeycomb-textured reflector and a warm COB source. The trim stays flush while the scoop aims the beam. Built in 3ds Max (.max) and shaded with V-Ray. A go-to fitting for gallery walls, retail displays and accent-lighting layouts.
A long half-round aluminium bar lined with recessed LED lenses along its flat face, carried on a single adjustable centre bracket. The rounded back doubles as the heat sink. Modeled in 3ds Max (.max) with V-Ray shading. Drop it into facade lighting renders, garden walls or an exterior architectural scheme.
A ribbed aluminium floodlight bar with evenly spaced LED lenses set behind a flat glass face and a compact yoke bracket. The slim depth keeps it discreet against the surface it lights. Created in 3ds Max (.max) and rendered with V-Ray. Well suited to building facade renders, landscape walls and outdoor signage illumination.
A longer version of the linear wall washer, a finned aluminium extrusion with a dozen recessed lenses and a mid-span mounting bracket. The angled face lets the beam be tilted up a wall or down over a sign. Modeled in 3ds Max (.max) with V-Ray materials. A staple for facade lighting, bridge and tunnel renders, or exterior feature-wall studies.
A short extruded bar fitted with a row of recessed round lenses and heavy heat-sink fins along the back, held on an adjustable wall bracket. Designed to rake light evenly across a facade or feature wall. Built in 3ds Max (.max) and shaded with V-Ray. Use it in exterior architectural renders, signage lighting or a landscape lighting scheme.
A thin suspended batten in raw aluminium with a frosted lens running its full length, hung from a single centre cable and a run of fine droppers. The look is stripped-back and utilitarian. Modeled in 3ds Max (.max) with V-Ray shading. Fits workshop, garage and back-of-house lighting renders as well as budget office fit-outs.
An aluminium continuous-row luminaire with twin lensed LED strips set into a structural trunking rail, complete with an end feed box. Modules like this clip together into long unbroken lines. Created in 3ds Max (.max) and rendered with V-Ray. Suited to supermarket aisles, warehouses and industrial-style office lighting visualizations.
A slender white linear pendant with a narrow luminous slot on the underside, suspended dead level on hairline cables against a plain wall. Understated and easy to repeat in a row. Modeled in 3ds Max (.max) with V-Ray materials. Good for office spines, kitchen islands or any layout that calls for continuous linear lighting.
A long, narrow recessed channel with a black reveal frame and a bright even diffuser, sitting flush in the ceiling plane. The trimless-style edge keeps attention on the line of light itself. Built in 3ds Max (.max) and shaded with V-Ray. Ideal for corridor runs, retail ceilings and minimalist architectural lighting renders.
A clean white linear pendant, a single extruded bar with a luminous underside, hung level on two thin cables. The profile is deep enough to hide the driver and shield the light source. Modeled in 3ds Max (.max) with V-Ray shading. A workhorse fitting for open-plan offices, meeting rooms and desk-lighting layouts.
A low-profile rectangular canopy luminaire with two angled LED panels either side of a central housing and bolt-on mounting brackets. Built for forecourts, warehouse aisles and covered loading bays. Created in 3ds Max (.max) and rendered with V-Ray. Suits an industrial exterior render, a fuel-station visualization or a logistics facility lighting plan.
A wide, flat LED street-light head in grey aluminium, angled off a tapered mounting arm on a brushed-steel pole. The dense LED panel faces down for road and pathway lighting. Modeled in 3ds Max (.max) with V-Ray materials. Drop it into a masterplan render, a streetscape or a car-park exterior lighting study.
A round recessed downlight with a white outer flange and a tilting blue inner gimbal that holds a faceted COB LED reflector. The tilt ring lets the beam be aimed well off-axis. Built in 3ds Max (.max) and shaded with V-Ray. A practical component for ceiling plans in retail, gallery or residential lighting visualizations.
A grey wall fixture shaped like a loosely folded sheet of metal, with a circular frosted lens set into one face and a row of small LEDs along the lower fold that grazes the wall. Modeled in 3ds Max (.max) with V-Ray materials. Use it in a modern hallway, a lounge feature wall or an architectural lighting render.
A slim conical pendant in dark cast concrete, its lower end pinched and folded like softened clay so light leaks through the irregular gaps. A brushed-metal cap connects it to the drop cable. Created in 3ds Max (.max) and rendered with V-Ray for the pitted stone surface. Fits an industrial loft, a gallery corridor or a raw-material interior study.
A tall pendant with a U-shaped neck that folds back on itself before flaring into a trumpet mouth, finished in glossy white with a bright orange interior that warms the downward light. Modeled in 3ds Max (.max) with V-Ray shading. A sculptural pick for a stairwell drop, a reception desk or a hospitality render that wants an unusual silhouette.
The bell pendant again in deep gloss black, this time with a lime-green lacquered lip and handle accent that catches the eye where the shade opens. Its rounded silhouette stays simple and compact. Built in 3ds Max (.max) and shaded with V-Ray. Suits a modern kitchen, a co-working break area or a colour-blocked interior render.
A glossy white bell shade lined in hot magenta, the pink edge visible around the diffuser and through the looped cut-out handle. It hangs low on a thin suspension cable against a plain backdrop. Modeled in 3ds Max (.max) with V-Ray materials. Good for a salon, a children's play space or a retail vignette where a single coloured pendant sets the tone.