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Download 375 free lighting 3D models for 3ds Max — ready-to-use assets for interior visualization and architectural rendering, most set up for V-Ray or Corona. Free for commercial and personal projects.
375 models · clear filters
A short grey cylinder surface mounts to the ceiling, a mesh knurled band around its waist and the lamp head tilting out of the lower rim. Modeled in 3ds Max (.max) with V-Ray shading. A compact adjustable spot for shop fronts, kitchens and hallway accenting.
A trimless black rectangle recesses flush into the ceiling, two round reflectors — one white, one dark — set on cardan yokes that pan and tilt. Modeled in 3ds Max (.max) with V-Ray shading. A discreet twin accent light for gallery walls, retail bays and hotel corridors.
Squat white cylinders in three diameters, each capped with a domed diffuser that glows a soft amber — a portable set with no visible cord. Modeled in 3ds Max (.max) with V-Ray shading. Ambient puck lamps to scatter on floors, shelves and terraces for a warm evening wash.
A single matt black drum head hangs in a white U-yoke off a low round canopy, tilting down to throw a tight beam. Created in 3ds Max (.max) with V-Ray. A lone accent spot for a stairwell, entry niche or a piece of art on a solid ceiling.
A slim linear bar drops from two chrome stems, a matt black sphere clamped along it that rotates within its cradle to point the recessed lamp anywhere. Modeled in 3ds Max (.max) with V-Ray shading. A directional pendant for kitchen islands, worktables and gallery benches.
A round recessed housing with a wide trim ring, the inner plate carrying a seven-lens LED cluster on a gimbal that tilts the whole array off-axis. Modeled in 3ds Max (.max) with V-Ray shading. A punchy accent downlight for retail displays, reception desks and feature joinery.
A chunky surface cube offered in dark oak, pale ash, matt black and white, each holding a faceted mirror AR111 reflector tilted within the opening. Modeled in 3ds Max (.max) with V-Ray shading. A warm-toned accent spot for retail interiors, hotel lobbies and residential lofts.
A crisp white surface box with the front face open to a black-lined gimbal spot that swings out and rotates to aim anywhere in the room. Built in 3ds Max (.max) with V-Ray. Single and twin boxes for accenting artwork, joinery or a feature wall on a solid ceiling.
White cylinder heads with finned black heat sinks clip onto a slim ceiling track, each pivoting on its yoke to wash a wall or pick out a display. Modeled in 3ds Max (.max) with V-Ray shading. Adjustable track spots for shop floors, studios and gallery hangs.
Round downlights set into a plaster ceiling, some capped with a thick bevelled clear-glass lens, others glowing behind a flush frosted diffuser. Created in 3ds Max (.max) with V-Ray. A domestic recessed fitting for living rooms, corridors and covered outdoor soffits.
A mixed tray of round and square recessed fittings — chrome eyeball spots, bevelled clear-glass lenses, a frosted disc and twin-glass ceiling pucks. Built in 3ds Max (.max) with V-Ray materials. A grab-bag of downlights for kitting out bathrooms, hallways and general ceiling plans.
Rectangular recessed frames in white and black, built in one-, two- and three-lamp widths, each COB reflector held in a cardan yoke that pans and tilts. Modeled in 3ds Max (.max) with V-Ray shading. A directional recessed system for gallery walls, showrooms and open-plan retail ceilings.
Recessed black cardan frames in single, double and triple modules, the AR111 reflectors gimbal-mounted so each can aim on two axes. Built in 3ds Max (.max) with V-Ray. A professional recessed system for museums, showrooms and gallery ceilings.
Crisp white cubes in one-, two- and three-lamp widths, each opening housing a mirrored AR111 reflector on a tilting yoke. Modeled in 3ds Max (.max) with V-Ray shading. Surface-mounted spots for concrete or timber ceilings in shops and studios.
Three faceted AR111 lamps sit angled inside a flush black frame, reading as a dark seam in the plaster until the light is switched on. Created in 3ds Max (.max) with V-Ray. Directional recessed lighting for feature walls and display zones.
A trimless black slot cut into the ceiling holds three chrome AR111 reflectors, each on a gimbal that tilts and spins within the channel. Modeled in 3ds Max (.max) with V-Ray materials. An architectural accent line for galleries, lobbies and high-end retail.
A white collar wraps a black conical baffle, the warm LED disc set deep inside so the source stays hidden from direct view. Built in 3ds Max (.max) with V-Ray. Clean surface downlights to line up over a kitchen, corridor or retail floor.
Two tall cylinders — one white, one dusky pink — clamp to the ceiling with a gimbal lamp recessed at the base of each tube. Modeled in 3ds Max (.max) with V-Ray shading. Surface downlights for bedrooms, hallways or any ceiling that cannot be cut.
A slim triangular wedge in grey and green tucks into the front corner of a wall cabinet, with a single round halogen puck set into the underside. Modeled in 3ds Max (.max) with V-Ray materials. A task light for kitchen wall units, display shelving or a workshop bench.
Shallow round housings with a white outer ring and a deep black cone, each glowing with a warm LED source tucked at the centre. Built in 3ds Max (.max) with V-Ray. Two housings ready to array across a hallway, kitchen or bathroom ceiling.
Two black heads on a slim rectangular plate each grip a chunky faceted glass lens, with thin pull cords dangling for the switch. Modeled in 3ds Max (.max) with V-Ray materials. A slightly retro accent light for a hallway or bedside wall.
Shown as both a flush recessed can and a stubby surface cylinder, the black trim tilts to wash a warm scallop of light down a nearby wall. Modeled in 3ds Max (.max) with V-Ray. Good for corridor, gallery or feature-wall lighting studies.
Rounded bell-shaped shades in matte grey hang from a slim ceiling rail, each exposing a deep faceted reflector and lamp inside. Built in 3ds Max (.max) with V-Ray. Suited to showroom, cafe or open-plan office lighting plans.
Three cylindrical PAR30 heads clamp onto a recessed black track, each on a short arm that rotates and tilts through a wide arc. Modeled in 3ds Max (.max) with V-Ray shading. A standard retail and gallery track system for accenting merchandise or artwork.