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Download 158 free lighting 3D models for 3ds Max — ready-to-use assets for interior visualization and architectural rendering, most set up for V-Ray or Corona. Free for commercial and personal projects.
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Three spun brushed-aluminium bell shades with rolled rims and a subtle swirl finish, hung at different lengths from thin cables to form a loose cluster. Modeled in 3ds Max (.max) and rendered with V-Ray for the raw spun metal and its soft highlights. A workhorse fitting for a kitchen island, a cafe counter or an industrial dining render.
A compact factory-style pendant with a bell-shaped black metal shade, textured outside and pale inside, on a simple black cord and matching ceiling cup. Created in 3ds Max (.max) for a clean low-poly workflow. An easy repeat unit over a kitchen counter, a workbench or a warehouse-loft render.
A tight cascade of bare teardrop filament bulbs on black fabric cords of varying length, gathered from a single ceiling cap into a glowing amber cluster. Modeled in 3ds Max (.max) with V-Ray shading for the warm filaments and matte cord. A favourite for a stairwell drop, a bar back or an industrial cafe lighting render.
A black iron ring chandelier hung by thick twisted manila rope, with eight exposed teardrop filament bulbs standing on the rim and rope-wrapped spokes rising to the chain. Created in 3ds Max (.max) and shaded with V-Ray for the fibre rope and raw metal. A natural fit for a coastal kitchen, a pub interior or an industrial-rustic lighting render.
A spherical armillary cage of aged iron rings encloses six candle lamps and a dense tangle of blackened crystal grape-cluster drops, with a plain ring hub and a chain feed to the ceiling. Modeled in 3ds Max (.max) with V-Ray shading for the rusted metal and dark cut glass. A statement fitting for an industrial-luxe dining room, loft stairwell or restaurant render.
A long half-round aluminium bar lined with recessed LED lenses along its flat face, carried on a single adjustable centre bracket. The rounded back doubles as the heat sink. Modeled in 3ds Max (.max) with V-Ray shading. Drop it into facade lighting renders, garden walls or an exterior architectural scheme.
A ribbed aluminium floodlight bar with evenly spaced LED lenses set behind a flat glass face and a compact yoke bracket. The slim depth keeps it discreet against the surface it lights. Created in 3ds Max (.max) and rendered with V-Ray. Well suited to building facade renders, landscape walls and outdoor signage illumination.
A longer version of the linear wall washer, a finned aluminium extrusion with a dozen recessed lenses and a mid-span mounting bracket. The angled face lets the beam be tilted up a wall or down over a sign. Modeled in 3ds Max (.max) with V-Ray materials. A staple for facade lighting, bridge and tunnel renders, or exterior feature-wall studies.
A short extruded bar fitted with a row of recessed round lenses and heavy heat-sink fins along the back, held on an adjustable wall bracket. Designed to rake light evenly across a facade or feature wall. Built in 3ds Max (.max) and shaded with V-Ray. Use it in exterior architectural renders, signage lighting or a landscape lighting scheme.
A thin suspended batten in raw aluminium with a frosted lens running its full length, hung from a single centre cable and a run of fine droppers. The look is stripped-back and utilitarian. Modeled in 3ds Max (.max) with V-Ray shading. Fits workshop, garage and back-of-house lighting renders as well as budget office fit-outs.
An aluminium continuous-row luminaire with twin lensed LED strips set into a structural trunking rail, complete with an end feed box. Modules like this clip together into long unbroken lines. Created in 3ds Max (.max) and rendered with V-Ray. Suited to supermarket aisles, warehouses and industrial-style office lighting visualizations.
A low-profile rectangular canopy luminaire with two angled LED panels either side of a central housing and bolt-on mounting brackets. Built for forecourts, warehouse aisles and covered loading bays. Created in 3ds Max (.max) and rendered with V-Ray. Suits an industrial exterior render, a fuel-station visualization or a logistics facility lighting plan.
A slim conical pendant in dark cast concrete, its lower end pinched and folded like softened clay so light leaks through the irregular gaps. A brushed-metal cap connects it to the drop cable. Created in 3ds Max (.max) and rendered with V-Ray for the pitted stone surface. Fits an industrial loft, a gallery corridor or a raw-material interior study.
The same carbon-weave cylinder turned on its side as a wall fixture, brushed-steel band facing out and a warm LED grazing the surface below. Short, chunky proportions read as deliberately industrial. Built in 3ds Max (.max) and shaded with V-Ray. Drop it into an entryway, a stairwell wall or an exterior facade render needing a compact up-and-down wall light.
A stubby cylindrical body wrapped in a diagonal carbon-fibre weave, split top to bottom by a single brushed-steel stripe. A recessed LED sits flush in the open base and throws a tight beam straight down. Modeled in 3ds Max (.max) with V-Ray materials for the woven texture and metal trim. Suits a loft kitchen island or a retail ceiling-mounted accent-lighting study.
A white open-frame cube hangs on four cables, cradling a round black floodlight-style spot head in its lower corner for a workshop-inspired look. Modeled in 3ds Max (.max) with V-Ray shading for a matte cube shell and glowing lens detail. Suited for a home office or studio pendant-lighting scene.
A single cylindrical spot head clips onto an overhead track rail, its matte black body angled downward for a focused, adjustable beam of light. Built in 3ds Max (.max) with V-Ray shading for a realistic brushed-metal track and glowing lens. Fits a retail display or gallery track-lighting scene.
A brushed aluminum dome shade hangs from a slim cable, its warm interior glow spilling from beneath the rim in a classic factory-style pendant form. Modeled in 3ds Max (.max) with V-Ray shading for realistic brushed-metal texture and interior light bounce. Well suited for a kitchen island or industrial-loft scene.
A perforated half-drum shade tilts atop a slender chrome pole, its mesh texture glowing warmly above a round floor base. Built in 3ds Max (.max) with V-Ray materials, suited to a loft living room or reading corner wanting an industrial-style task light.
A perforated metal cylinder glows from within, swung out on a curved chrome tube arm anchored to a round wall backplate. Modeled in 3ds Max (.max) with V-Ray shading, a fit for a workspace or loft wall wanting an industrial-style adjustable light.
The finned wall sconce returns in a dark charcoal-black finish, its slatted housing throwing a crisp band of light onto the wall below. Rendered in 3ds Max (.max) with V-Ray materials, suited to a moody hallway, bar, or exterior wall wanting a graphic strip of illumination.
Two blackened metal spot heads hang from curved gooseneck arms off a rectangular ceiling canopy, angled apart to throw light in different directions. Modeled in 3ds Max (.max) with V-Ray shading, suited to a kitchen island, workspace, or gallery corridor needing dual-direction task lighting.
A single cylindrical spot dangles from a coiled black cord anchored to a round ceiling canopy, its chrome collar the only bright accent against the matte-black housing. Modeled in 3ds Max (.max) with V-Ray shading, well suited to a loft or studio interior calling for a stage-light-inspired accent fixture.
Three round reflector heads angle outward from a compact central housing, each lamp swiveling on its own bracket to spread light across a broad area. Built in 3ds Max (.max) with V-Ray shading on the reflector lamps, this three-head floodlight fits an industrial or exterior facade render needing rugged, wide-coverage lighting.