Tag
Download 80 free lighting 3D models for 3ds Max — ready-to-use assets for interior visualization and architectural rendering, most set up for V-Ray or Corona. Free for commercial and personal projects.
80 models · clear filters
A rectangular cage of horizontal dark walnut slats hangs from a square canopy on fine cables, warm LED strips glowing in the gaps between the boards. Modeled in 3ds Max (.max) with V-Ray. A warm feature pendant for a dining table, kitchen island or restaurant booth.
A polished rosette backplate holds a faceted crystal pendant below an empire shade, shown once in plain white and once in deep red damask. The chrome and glass catch light in a distinctly formal way. Built in 3ds Max (.max) with V-Ray materials, it suits a classic dining room or a boutique-hotel corridor render.
A long rectangular aged-metal frame with a pierced edge holds a dense cascade of clear teardrop glass drops in staggered rows, tapering to a point at the bottom. Wide and low over a run of table. Created in 3ds Max (.max) with V-Ray shading, blown-glass and antiqued-steel materials. Built for a kitchen island, long dining table or bar render.
Three cream tapered drums, each caged by black cross straps and topped with a brass ring, hang in a row from a slim brass bar and chains. The linear version of the single cross-strap pendant. Built in 3ds Max (.max) with V-Ray shading, fabric, blackened-steel and brass materials. Built for a kitchen island, long dining table or counter render.
Six square tapered shades in cream fabric with a dark contrast trim line up along a slim antique-brass bar, hung on chains from a shaped yoke and oval canopy. A traditional over-island fixture. Created in 3ds Max (.max) with V-Ray shading, antique-brass and fabric materials. Built for a kitchen island, long dining table or breakfast bar render.
Turned wood tops meet an angled metal cone base, the diagonal cut where the two materials join giving each pendant its off-kilter profile in grey, mustard and black. Built in 3ds Max (.max) with V-Ray materials, the trio drops a warm spot of light over a dining table, a kitchen island or a workspace and mixes finishes cleanly.
Accordion scissor arms fan out from a black hub, each carrying a horizontal Edison tube bulb so the whole fixture can be pushed wide or drawn in. Created in 3ds Max (.max) with V-Ray shading, the mechanical spider form is a strong centrepiece for a loft dining table, a bar or a co-working lounge.
Thin black rods cross at random angles from a single ceiling point, each tipped with a small bright bulb so the fixture reads as a burst of light lines. Built in 3ds Max (.max) with V-Ray shading, the graphic sputnik-style piece suits a dining room, a stairwell or a gallery wall that wants a loose, drawn-in-space look.
Cream pleated shades in cylinder, oval and tapered-urn shapes glow softly from within, the folded ribs casting a gentle striped light. Created in 3ds Max (.max) with V-Ray materials, the grouped lanterns bring a warm handcrafted feel to a dining corner, a reading area or a bedroom.
Round canopies gather several tinted glass drops at different heights, mixing teardrop, pear and cone shades in smoke, amber, olive and violet for a bubbling composition. Modeled in 3ds Max (.max) with V-Ray shading, the clusters make a warm focal point over a round dining table or in a stairwell that can take a three-dimensional arrangement.
Rounded pear-shaped glass shades hang in a neat line, their smoke, amber, grey, olive and purple tints deepening toward the base around a warm central lamp. Built in 3ds Max (.max) with V-Ray shading, the coordinated colours suit a dining bench, a hotel bar or a stair landing where repetition keeps the look calm.
A tall black bell shade with a stepped neck flares to a crisp white rim, hung on a short black cord from a domed canopy. Built in 3ds Max (.max) with V-Ray materials, this simple utilitarian pendant drops neatly over a dining table, a hallway or a home-office desk.
A broad glossy black band loops and folds on itself like a dropped ribbon, its inner face lined with rippled gold leaf that glows when lit. Created in 3ds Max (.max) with V-Ray materials, the piece hangs from fine cables and makes a bold centrepiece over a dining table or in a hotel lounge.
Open faceted cages built from slim bars form a rough dodecahedron around a single bare bulb, shown in light oak, dark oak and matte black. Created in 3ds Max (.max) with V-Ray materials, the trio throws a lively pattern of shadows and works well clustered over a dining table or spaced along a hallway.
Six wire-cage lamps holding amber Edison bulbs drop from a round canopy on black cords that swag through small pulleys, each weighted so the lamps hang at uneven heights. The rig looks salvaged from a factory floor. Modeled in 3ds Max (.max) with V-Ray. Suited to a dining room, loft or bar render that wants a sprawling, adjustable cluster with plenty of visible mechanical hardware.
Two black wood-slat pendants from one series: a tall narrow cone and a flattened UFO-shaped dome, both built from fine radial staves that let light spill between them. A matching ceiling cap is included. Modeled in 3ds Max (.max) with V-Ray. A fit for a dining room or hallway render where a pair of dark slatted shades in contrasting shapes creates a striped, graphic light pattern.
Glossy droplet pendants whose lower half is finished in a mirror chrome dip while the top stays a solid colour, so the fixture reflects the room back at itself. A row of small coloured drops sits beside one large black version. Modeled in 3ds Max (.max) with V-Ray materials. Works in a bar, dining or retail render that wants a shiny, jewel-like pendant with a strong metallic reflection.
Hand-blown clear glass shades in a plump teardrop shape, each holding a small exposed bulb on a white cord, shown as a large and a smaller drop. The thick glass distorts the filament into soft highlights. Built in 3ds Max (.max) and rendered with V-Ray. Suited to a dining room or kitchen render where a pair of transparent glass drops gives sparkle without blocking the view across the table.
Linear pendants cut from solid timber beams, one in pale sawn oak and one in dark oxidised wood, each with a recessed LED strip running along the underside. The raw block form and visible grain do the work. Modeled in 3ds Max (.max) with V-Ray shading. A good fit for a dining table, kitchen island or reception-desk render that wants a warm, chunky wooden light bar instead of a metal profile.
Three half-sphere pendants in ochre-gold, warm brown and black, each smooth outside and lined with the same crusted decorative relief that glitters when lit. Hung in a row, they suit a long table. Built in 3ds Max (.max) and rendered with V-Ray. A ready set for a dining room or restaurant visualization that needs coordinated pendants with a plain profile and an ornate reveal from beneath.
The all-white version of the shallow dome pendant: a smooth matte outer shell and an interior carved with a raised floral-and-scroll relief that catches the light of the lamps set into the centre. Modeled in 3ds Max (.max) with V-Ray. Suited to a bright dining room or entry render where a monochrome sculptural dome adds ceiling interest without introducing a strong colour.
A large shallow black dome, plain and matte on the outside, revealing an ornate white plaster-style relief of scrollwork and foliage moulded into the inner surface around a cluster of small lamps. Created in 3ds Max (.max) and shaded with V-Ray. Works in a dining room or lounge render that plays a minimalist exterior against a decorative, baroque-detailed interior when seen from below.
A white hemispherical shade upholstered in button-tufted, diamond-quilted leather-look panels studded with crystal buttons, finished with a bright polished rim and a clear diffuser underneath. Modeled in 3ds Max (.max) with V-Ray shading. A fit for a formal dining room, boutique or hotel-suite render that wants an upholstered, capitonne-style pendant with a soft downward glow.
A wide low pendant whose black shade is broken into angular facets like a cut stone, matte on the outside and dropping a single cord from a small square canopy. The low-poly geometry gives it a crystalline edge. Built in 3ds Max (.max) and rendered with V-Ray. Suited to a dining table or reception-desk render that needs a dark sculptural form with a strong faceted silhouette.