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Download 207 free lighting 3D models for 3ds Max — ready-to-use assets for interior visualization and architectural rendering, most set up for V-Ray or Corona. Free for commercial and personal projects.
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A trimless black slot cut into the ceiling holds three chrome AR111 reflectors, each on a gimbal that tilts and spins within the channel. Modeled in 3ds Max (.max) with V-Ray materials. An architectural accent line for galleries, lobbies and high-end retail.
A white collar wraps a black conical baffle, the warm LED disc set deep inside so the source stays hidden from direct view. Built in 3ds Max (.max) with V-Ray. Clean surface downlights to line up over a kitchen, corridor or retail floor.
Two tall cylinders — one white, one dusky pink — clamp to the ceiling with a gimbal lamp recessed at the base of each tube. Modeled in 3ds Max (.max) with V-Ray shading. Surface downlights for bedrooms, hallways or any ceiling that cannot be cut.
Shallow round housings with a white outer ring and a deep black cone, each glowing with a warm LED source tucked at the centre. Built in 3ds Max (.max) with V-Ray. Two housings ready to array across a hallway, kitchen or bathroom ceiling.
A plain white cylinder mounts straight to the ceiling, its recessed centre spot throwing a soft warm cone into the room below. Modeled in 3ds Max (.max) with V-Ray shading. A no-fuss surface downlight for concrete ceilings or spaces with no plenum void.
A frosted centre disc is framed by a black baffle and a clean white outer ring, the fitting sitting almost flat in the ceiling. Modeled in 3ds Max (.max) with V-Ray materials. General recessed lighting for offices, kitchens and retail interiors.
A narrow white rail runs flat against the ceiling and carries three tiny cylindrical LED spots that slide and swivel along its length. Built in 3ds Max (.max) with V-Ray. A lightweight budget track for hallway, kitchen or small-shop lighting.
Two white tubes stack at a right angle on a ceiling canopy, the lower one spinning a full turn and folding down to focus its lens. Modeled in 3ds Max (.max) with V-Ray shading. A precise adjustable spot for art walls, kitchen counters or display niches.
One head leans out of the ceiling to show its bright faceted lamp while the others sit almost flush, the trimless white rings blending into the plaster. Created in 3ds Max (.max) with V-Ray. A minimal adjustable downlight for gallery, retail or living-space ceilings.
Two black heads on a slim rectangular plate each grip a chunky faceted glass lens, with thin pull cords dangling for the switch. Modeled in 3ds Max (.max) with V-Ray materials. A slightly retro accent light for a hallway or bedside wall.
The inner white barrel swings well past flush, letting the fitting sit back in the ceiling or lean right out to aim its beam sideways. Created in 3ds Max (.max) with V-Ray shading. A discreet adjustable downlight for living room, retail or hotel ceilings.
Shown as both a flush recessed can and a stubby surface cylinder, the black trim tilts to wash a warm scallop of light down a nearby wall. Modeled in 3ds Max (.max) with V-Ray. Good for corridor, gallery or feature-wall lighting studies.
A long white plate mounts flush to the ceiling and feeds four spots — some plain cylinders, one a perforated LED disc — that swivel to any angle. Modeled in 3ds Max (.max) with V-Ray materials. A tidy multi-point solution for kitchen, hallway or home-office ceilings.
Rounded bell-shaped shades in matte grey hang from a slim ceiling rail, each exposing a deep faceted reflector and lamp inside. Built in 3ds Max (.max) with V-Ray. Suited to showroom, cafe or open-plan office lighting plans.
Three cylindrical PAR30 heads clamp onto a recessed black track, each on a short arm that rotates and tilts through a wide arc. Modeled in 3ds Max (.max) with V-Ray shading. A standard retail and gallery track system for accenting merchandise or artwork.
A compact black cylinder on a rotating knuckle, shown both surface-mounted overhead and turned out from the wall to graze a warm pool of light downward. Modeled in 3ds Max (.max) with V-Ray. Works as a reading light, stair marker or picture wash in interior renders.
Matte black barrel, knurled focus knob and a U-shaped yoke bracket give this fixture the look of a proper stage or gallery projector. Modeled in 3ds Max (.max) with V-Ray materials. Drop it onto a track for exhibition, retail or event-lighting scenes.
The smooth ellipsoid shell reads almost like a river pebble, with one recessed reflector eye set off-centre in the plaster-white body. Modeled in 3ds Max (.max) with V-Ray. A soft organic alternative to the boxy spot for bedroom or lounge ceilings.
A short white drum sits flush to the ceiling while its black-rimmed inner ring pivots to throw light at an angle rather than straight down. Modeled in 3ds Max (.max) with V-Ray materials. Handy for retail displays or feature walls where a surface fixture still needs to aim its beam.
Three polished chrome back-plates — single, double and triple — each carry rounded gimbal spots that aim independently, their mirrored bodies picking up whatever light is around them. Modeled in 3ds Max (.max) with V-Ray materials. A flexible accent-lighting set for hallway, gallery or bathroom mirror renders.
Four rows of fluorescent lamps glow through a mirror-finish egg-crate louver, the classic 600 mm fitting that lines most open-plan offices. The reflective cells keep the source out of direct view from a desk. Built in 3ds Max (.max) with V-Ray shading and a lit lamp material. Drop it into a plenum ceiling for workplace or retail back-of-house renders.
Set into a suspended tile grid, this rectangular troffer hides its fluorescent tubes behind a stepped aluminium parabolic louver that breaks the glare into a crisp silver sheen. It is the plainest workhorse of the commercial ceiling. Modeled in 3ds Max (.max) as a drop-in ceiling module. Useful for office, classroom and corridor visualizations that need a believable commercial ceiling overhead.
Square lit panels that tile into crosses, columns and scattered grids across a showroom ceiling, with slim wall-mounted versions running down one side. The system is built for composing a light pattern rather than placing a fixture. Modeled in 3ds Max (.max) and rendered with V-Ray. Ideal for offices, showrooms and lobbies where the ceiling layout is part of the brief.
A floating assortment of contemporary luminaires: round disc panels, square trays, ring lights and slim cylinders, some chrome-rimmed, all suspended on fine cables. A ready-made kit for dressing a whole ceiling scheme. Built in 3ds Max (.max) with V-Ray materials. Useful for offices, retail and residential renders that need a coordinated set of modern fittings.